Cape Breton Post

‘The Zookeeper’s Wife’: a riveting true story

- BY LINDSEY BAHR

In German-occupied Poland during the darkest days of World War II, a zookeeper and his wife managed to save the lives hundreds of Jewish people, many of whom were detained in the Warsaw Ghetto, by giving them shelter and refuge on the zoo grounds. This extraordin­ary true story is dramatized rather effectivel­y in director Niki Caro’s “The Zookeeper’s Wife,’’ based on the non-fiction book by the naturalist writer Diane Ackerman.

Caro, who directed “Whale Rider’’ and “McFarland, USA,’’ imbues the production with a glossy sheen, which in the confines of trailers and advertisem­ents might make this look dismissibl­e.

But despite a romanticiz­ed beginning, in which our heroine Antonina (Jessica Chastain, affecting an accent that you’ll get used to, I swear) seems to live the most picture perfect life that’s ever existed (frolicking with the free-roaming zoo animals, sipping tea on her balcony and gazing lovingly at her doting husband and son), Caro keeps the action and emotion real and grounded throughout.

Chastain’s Antonina is ethereal, motherly and tenacious. She might be the zookeeper’s wife, but she has just as much if not more of a command over the place as her milquetoas­t husband. In fact, she treats the animals in the zoo as she would her own child.

By the time the invasion starts and the zoo is bombed and destroyed, you feel the loss of something that was once just good and pure. It’s distressin­g to watch the occupying soldiers shoot animals whether out of fear, wartime necessity or just plain evil and a reminder that humans are not the only ones who suffer in war. But the real power of the story is in what Antonina and her husband Jan (Johan Heldenberg­h) do for the persecuted Jews — risking their lives to stage elaboratel­y planned extraction­s from the ghetto and provide refuge for those they saved in their own home.

Look past the sepia and the dreary title, “The Zookeeper’s Wife’’ is riveting and inspiring and comes as a welcome reminder in this time of uncertaint­y that even in the face of astonishin­g evil, humanity and goodness can also rise to the occasion. Running time: 124 minutes. Three stars out of four.

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