Cape Breton Post

Sarah Silverman seeks common ground

- BY LYNN ELBER THE ASSOCIATED PRESS

Sarah Silverman’s new Hulu series boasts intriguing contradict­ions, just like the comedian.

She’s a winsome charmer yet fearlessly blunt on stage.

“I Love You, America’’ sets the lofty goal of trying to help an at-odds nation find common ground while gleefully indulging in fart gags. That such humour may help bridge the divide is the method to the show’s madness, although Silverman downplays its likely influence.

“It’s a half-hour show on streaming television,’’ she said. “It’s not going to change the world. If I put that pressure on myself, I would be an insane person.’’

The 10-episode series combines an expansive version of a talk show with field pieces in which Silverman meets Americans outside the East-West coastal “bubbles.’’ In one visit, she chewed over gay marriage and the 2016 election during a meal with a Louisiana family that voted for Donald Trump and, in Silverman, met their first Jewish acquaintan­ce.

The episode on Thursday included comic Tig Notaro; a satirical look at children’s Halloween costumes to scare conservati­ves (a female God) and liberals (a Trump supporter with a doctoral degree), and Silverman’s interview with Sen. Al Franken, the Minnesota Democrat who’s her friend and former “Saturday Night Live’’ colleague. A mainstay of “I Love You, America,’’ Silverman’s father, Donald, dispensed poolside pearls of wisdom from Florida.

Oscar-winning screenwrit­er Adam McKay (“The Big Short’’), an executive producer on the series, said the intent is to avoid falling into a left-right divide and instead take a common-sense approach to issues such as economic inequality.

The approach is “to be funny, to be visceral, to be human,’’ McKay said. “It’s not to be heady. It’s not to be theoretica­l. And I don’t think anyone does that better than Sarah. That’s her gift.’’

Silverman talked with The Associated Press about how she approaches her work and social media, and what people really want.

AP: This show seems more like your antidote to the angry political climate than a career move.

Silverman: Nothing I do is actually good for your wallet. I’m totally divisive, I’m a terrible choice for any commercial campaign . ... I keep my overhead very low and it’s given me immense freedom in my creative choices, and what I feel OK to be outspoken about. I can’t imagine not saying something because it might get a conglomera­te I’m working with mad.

AP: You’ve had angry, insulting messages aimed at you online, but you said that social media has also helped you make unlikely friendship­s.

Silverman: I have so many examples of that on Twitter, people that I have become friends with out of very adversaria­l initial meetings. The thing we all have in common is we want to feel loved, we want to feel seen (despite) ideologica­l difference­s. I said something about believing in a two-state (Middle East) solution, and a woman from Israel came up to me at a party and just screamed. I didn’t mean this in a manipulati­ve way, but this woman was so drop-dead gorgeous that when she stopped talking, I go, “You are stunning.’’ Immediatel­y, she was, “You are so sweet!’’ People just want to feel loved. All her porcupine needles just went down.

AP: Porcupine needles as metaphor?

Silverman: Defences. I always think of it as porcupine needles. That’s why arguing never changes people’s mind. Because both of your porcupine needles are up and you’re not open to change. But with that first hug hello, “Oh, these are your grandkids?’’ (it changes). There was a time when Democratic, Republican senators used to play golf together, they knew each other’s families and politics were very different because of it. We’re so divided now. They are never even in the same room even, and it’s hurting the country.

 ?? Ap pHOTO ?? This image released by Hulu shows Sarah Silverman from her Hulu series, “I Love You, America,” in Los Angeles.
Ap pHOTO This image released by Hulu shows Sarah Silverman from her Hulu series, “I Love You, America,” in Los Angeles.

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