Cape Breton Post

ECMA VICTORY

Brueggergo­sman, Cousins also repeat winners at Sunday ECMA ceremony

- BY STEPHEN COOKE THE CHRONICLE HERALD

More hardware for Minglewood.

After a beautiful opening night concert on the Halifax waterfront, a splashy awards gala at Scotiabank Centre and four days of showcases and schmoozing, the 30th anniversar­y edition of the East Coast Music Awards wrapped up with its Music and Industry Awards celebratio­n on Sunday night.

The ceremony held in the Halifax Marriott Harbourfro­nt Hotel’s Nova Scotia Ballroom was to feature performanc­es by Halifax-based P.E.I. natives Lennie Gallant and pop recording of the year winner Jenn Grant, Nova Scotia singer and ECMA veteran Heather Rankin and Newfoundla­nd & Labrador’s sax-powered funk meisters Ouroboros.

Following the 13 awards handed out on Thursday night, the 12 music categories honoured on Sunday were fairly evenly split between male and female artists, most notably with singer-songwriter Rose Cousins turning her ECMA 2018 weekend into a hat trick, picking up a third award for her acclaimed Natural Conclusion, this time as folk recording of the year. On Thursday, the Grammy Awardnomin­ated record also earned album of the year and song of the year for the ethereal track Grace, which Cousins also performed to close out that night’s ceremonies.

Also making a return trip to the podium was New Brunswickb­orn, Falmouth-based soprano Measha Brueggergo­sman, who also turned in an impassione­d performanc­e at Thursday night’s gala, where she was presented with the Bucky Adams Memorial Award. On Sunday, her collection of spirituals linked to the civil rights struggle, Songs of Freedom, was named gospel recording of the year.

“The work is ongoing, and my ambition is unquenched,” said Brueggergo­sman after her earlier win on Thursday. “I am inspired by Bucky and his legacy to go at the next 40 (years) just as hard. I’ll keep it close to home, though.

“I can only be as huge worldwide as I am at home, and in my heart, as I serve my children and my church and my community. It’s that kind of fervour; if we can be found faithful in the small things, the big things will gravitate towards us, I believe that wholeheart­edly.”

Big things were also happening for 16-year-old country singer — and Rolling Stone artist to watch — Makayla Lynn, whose On a Dare and a Prayer was named country recording of the year, after previously winning the country category at the 2017 Music Nova Scotia Awards. Women in rock were also honoured as Wednesday night kickoff concert performer Mo Kenny won solo recording of the year for her expansive third album The Details, which she co-produced with longtime cohort Joel Plaskett, and Jessie Brown’s gutsy and

soulful Keeping Appearance­s was named rock recording of the year.

A pair of awards are also heading home across the Canso Causeway today as Cape Breton artists won ECMA trophies in the instrument­al and roots/ traditiona­l categories. Violinist Rosie MacKenzie’s Dingle, Ireland-recorded Atlantic was chosen in the former category, for its trans-oceanic collection of original compositio­ns. In the latter category, Celtic supergroup Coig—fiddlers Rachel Davis and Chrissy Crowley, pianist Jason Roach and mainlander multiinstr­umentalist Darren McMullen—saw its album Rove jig its way to the top of the class after also earning the quartet its first Juno Award nomination.

Another double winner of the weekend also hails from Cape Breton, the original East Coast blues rocker Matt Minglewood, whose Fly Like Desperados tied with New Brunswick songwriter Mike Biggar’s Go All In for blues recording of the year. On Thursday

night, Minglewood received a standing ovation in absentia at Scotiabank Centre when he was named the Fans’ Choice Entertaine­r of the Year. “He’s probably playing a gig in Fort McMurray as we speak,” quipped presenter Ashley MacIsaac as he accepted the fan-voted award on Minglewood’s behalf.

One of the best-known songs about Cape Breton, Allister MacGillivr­ay’s Song for the Mira, was also honoured Sunday night as part of a new partnershi­p between ECMA and the Canadian

Songwriter­s’ Hall of Fame. The famous ode to Marion Bridge and the pleasure it brings, sung at the awards by Rankin, is the first to be recognized in an annual ongoing celebratio­n of the legacy of East Coast songwriter­s.

The late king of Cape Breton fiddlers, Winston (Scotty) Fitzgerald, also received his due with a previously announced Stompin’ Tom Award, which annually honours music pioneers from each Atlantic region. Halifax R&B/ hip-hop duo James McQuaid and Richard Gray, better known as 1990s EMI Music Canada artists MCJ & Cool G also received a Stompin’ Tom Award as one of the first major acts to bring attention to the Maritimes’ African Canadian music community.

On the cutting edge of things, Nova Scotia producer CR aymak picked up dance recording of the year for his collaborat­ion with Thursday gala performers Neon Dreams, Play With Fire, while Pineo & Loeb’s Lifeblood was named electronic recording of the year. Moncton doom rock duo Zaum’s Eidolon was the 2018 ECMA choice for loud recording of the year, and trumpeter and St. F.X. University instructor Paul Tynan’s collaborat­ion with California saxophonis­t Aaron Lington, Bicoastal Collective: Chapter 5 is this year’s jazz recording of the year.

Members of the music industry who keep the songs flowing by booking the gigs, running the soundboard­s, hosting the shows and promoting the projects were also recognized in the industry awards, with notable wins by the long-running Lunenburg Folk Harbour Festival as event of the year, the performer-friendly Carleton Music Bar & Grill as venue of the year amidst its 10th anniversar­y celebratio­n, and 2018 songwriter of the year winner Joel Plaskett’s New Scotland Yard as studio of the year.

Behind the board, Plaskett’s tech Steve (Snickers) Smith was named live sound engineer of the year, Jamie Foulds at Sydney’s Sound Park Studio earned engineer of the year, and Lake Echo’s Dan Ledwell is the 2018 producer of the year, for his work on records like his wife Jenn Grant’s Paradise, Gabrielle Papillon’s Keep the Fire and many others.

Honorary awards included an East Coast Music Associatio­n Directors’ Special Achievemen­t Award for the late Cutting Crew co-founder and Robert Plant band member Kevin Macmichael, the Dr. Helen Creighton Lifetime Achievemen­t Award for veteran music manager and publicist Lynn Horne, the Musicians’ Achievemen­t Award for drummer/songwriter/artist Geoff Arsenault and the Industry Builder Award for Louis Thomas, whose Sonic Entertainm­ent Group was also named manager of the year.

After this year’s 30th anniversar­y blow-out, it falls on Prince Edward Island to step up to the plate and host the next edition of the East Coast Music Awards, taking place in Charlottet­own, May 1-5, 2019.

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 ?? SUBMITTED ?? Cape Breton blues rocker Matt Minglewood (above) and his album Fly Like Desperados tied with New Brunswick songwriter Mike Biggar’s Go All In for blues recording of the year at the East Coast Music Awards in Halifax on Sunday.
SUBMITTED Cape Breton blues rocker Matt Minglewood (above) and his album Fly Like Desperados tied with New Brunswick songwriter Mike Biggar’s Go All In for blues recording of the year at the East Coast Music Awards in Halifax on Sunday.
 ?? TIM KROCHAK/THE CHRONICLE HERALD ?? Allister MacGillivr­ay, the songwriter who in 1973 penned the tune Song for the Mira, waves after giving his speech after being inducted to the Canadian Songwriter­s Hall of Fame at the 2018 ECMA Industry Awards in Halifax on Sunday. At right is Vanessa...
TIM KROCHAK/THE CHRONICLE HERALD Allister MacGillivr­ay, the songwriter who in 1973 penned the tune Song for the Mira, waves after giving his speech after being inducted to the Canadian Songwriter­s Hall of Fame at the 2018 ECMA Industry Awards in Halifax on Sunday. At right is Vanessa...

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