Edmonton Journal

Album: Badlands Artist: Halsey (Astralwerk­s) 1/2 (out of five)

- Sandra Sperounes

Edmonton got its first taste of Halsey in June, when she opened for Imagine Dragons at Rexall Place. We’ll get another blast of the blue-haired New Jersey singer on Nov. 30, when she opens for The Weeknd at the same venue. With any luck, Halsey will get to perform more than a few songs since she now has a full-length album, Badlands, to promote. And we mean full (perhaps too full) — 16 songs of synthpop ranging from a spidery, Hunger Games-flavoured opener (Castle) to a moody and almost unrecogniz­able cover of a Johnny Cash classic (I Walk the Line). Halsey’s own lines are powerful on so many levels — she combines the personal with pop-culture references to capture a larger Zeitgeist. “High on legal marijuana / Raised on Biggie and Nirvana,” her chilly voice declares on New Americana, which refers to her African-American dad and white mom, but could also speak to the growing realizatio­n that our musical, cultural and social interests aren’t restricted to one genre/ dimension/class. “You said your mother only smiled on her TV show / You’re only happy when your sorry head is filled with dope / I hope you make it to the day you’re 28 years old,” Halsey laments on Colors, which mourns a couple’s incompatib­ility in the context of reality shows, drugs and the curse of the 27-year-old musician. Such multi-layered lyrics almost make up for some of the sonic drudgery of Badlands. Five or six of its tunes, including Coming Down and Haunting, feel more like filler than devastatin­g knockouts.

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