Edmonton Journal

Album: Cheers to the Fall (Warner) Artist: Andra Day

- Julia LeConte

It would be short-sighted to only compare soul singer Andra Day’s debut album, Cheers to the Fall, to the music of Amy Winehouse and Adele. Yes, the San Diego native’s got the throwback soulfulnes­s of the former and the charttoppi­ng pop sensibilit­ies of the latter. Actually, Cheers to the Fall falls between the two: Day’s not quite as blunt or raw as Amy, and she’s got a little more retro steeze than Adele. But Day is much more than just the influences of the last decade.

With production credits from Raphael Saadiq and Questlove, Cheers to the Fall dabbles in classic jazz, doowop, modern pop and R&B old and new.

There’s a lo-fi, crackling sensibilit­y that ups the oldschool vibe, and once in a while when listening, you’re even taken back to 1998’s the Miseducati­on of Lauryn Hill.

Anchoring every tune is an enormous voice: Day is technicall­y excellent without being too polished. That said, the production and arrangemen­ts are slick: when she gets gritty, as she does on the final, eponymous track, sterling “oohs” remain in the background, evoking ’60s girl-group radio pop.

The album’s inspired by a nearly decade-long relationsh­ip, and songs such as Goodbye Goodnight, Rearview, Red Flag and City Burns remain upbeat while successful­ly conveying that punch-in-the-gut feeling the aftermath of a relationsh­ip can bring. The obvious smash single is Rise Up, a multiple-repeat-worthy ballad that doesn’t have to be about love at all. It screams revolution, politics and empowermen­t as much as it does relationsh­ip. Prepare to hear this on awards-show stages next year.

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