Edmonton Journal

Brighten up your life

- DEBORAH K. DIETSCH

Fear of colour drove homeowners Kendall and Tiffany Coleman into a neutral safety zone. “All the colours in our house were white and light grey,” says Tiffany, a closet designer. “I’m not into crazy, neon colours and didn’t think I could live with them,” adds Kendall, an accountant.

But the Colemans’ renovation of their 1960s house in Reston, Va., finished last summer, completely changed their outlook. Now the couple enjoy walls painted in Benjamin Moore’s True Blue in the kitchen, Outrageous Orange in the powder room and Sunflower yellow in the basement.

“They make a huge difference in brightenin­g up the interior,” says Kendall.

How did the Colemans overcome their chromophob­ia?

“The architect wore us down,” says Kendall, referring to Richard Loosle-Ortega of Kube Architectu­re, known for vividly accented spaces. “Rich did 3D models to show us what the colours would look like. That convinced us to try the paint colours.”

For DIY homeowners facing the challenge of selecting colours without the coaching of an architect or a designer, some profession­als recommend making a more gradual transition to feel comfortabl­e with a new palette.

“Try colours out in a limited way, through accessorie­s like pillows and blankets, and lamps and rugs, rather than re-covering an entire sofa or repainting a room,” says designer Kelley Proxmire, who is known for mixing bright shades like navy blue and coral.

Instead of painting entire walls, says Proxmire, apply colour to crown mouldings, baseboards and window and door casings. She recently transforme­d a sunroom in a 1920s home with black-painted French doors and yellow walls.

Even before focusing on a colour choice, experts say, start with a process of eliminatio­n.

“I always ask my clients about the colours they don’t like,” says Loosle-Ortega, who made sure he didn’t use green in the Colemans’ home because it wasn’t a favourite colour.

Think about tints or tones of a colour, instead of the most intense hues, for trying out a new look. “You don’t have to go with dark teal,” says designer Annie Elliott. “Start with soft pastels like light blue, pale green or blush.”

Elliott calls her business Bossy Colour and stresses the importance of a robust palette in home decor. “Colour is the unifier in design,” she says. “It can make you feel cooler or warmer, bring you up or down. Every piece in a room requires a choice of colour.”

When choosing paint colours, brush each sample onto a big sheet of cardboard or another movable surface to make the final choice. “Never select a colour from a swatch,” says Loosle-Ortega.

Keep the room orientatio­n in mind because varying intensitie­s of daylight can change colour perception. Elliott recently applied Benjamin Moore’s Pink Moire to the walls of the north-facing living room in her row house. The rosy shade is darker than her original choice, because the cool, grey northern light washes out colours.

Experts say floors, ceilings and furniture should be considered as much as walls in contributi­ng to a co-ordinated colour scheme. Elliott refreshed the built-in shelving in her family room in Benjamin Moore’s Million Dollar Red and extended the colour onto the floor with scarlet rugs.

“We use colour to tie different spaces together,” says LoosleOrte­ga. “Many times, we apply colour to the stair wall, which usually runs the full height of the house, so the colour becomes an element that connects the various floors together.”

In his design for the Colemans’ home, Benjamin Moore’s Honolulu Blue reappears in the entrance hall, home office and basement.

If you decide to paint the top surfaces of a room, Proxmire recommends going darker.

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