Edmonton Journal

Dashing performer redefines role

- MIKE SILVERMAN

Der Rosenkaval­ier Final performanc­e broadcast via MET: Live in HD, May 13. Contact: Cineplex.com for list of theatres

NEW YORK While soprano Renee Fleming bids a poignant and elegant farewell to a signature role at the Metropolit­an Opera, a young bass is stirring up a storm as her far-from-dignified country cousin.

He’s Gunther Groissboec­k, a 40-year-old singer from Austria who is starring alongside Fleming in Richard Strauss’s Der Rosenkaval­ier as Baron Ochs, a character he cheerfully describes as “a totally opportunis­tic, non-empathetic, selfish person who thinks he’s God’s gift to the world.”

And yet, Groissboec­k said in an interview backstage at the Met, there are times when he can sense the audience identifyin­g with Ochs, despite, or perhaps even because of, his crude behaviour. One such moment comes in Act 2, when Ochs meets the merchant Faninal and his daughter, Sophie, whom he has arranged to marry. Ochs treats Faninal with the contempt of a member of the aristocrac­y for a tradesman, and manhandles Sophie as if she were a piece of goods.

“He behaves absolutely inappropri­ately,” Groissboec­k said, “but you feel the audience thinking, ‘Oh, I would like to treat my boss in my office tomorrow a bit like this.’ It’s the tiny moment where you feel the basic instinct or the hidden desires of people.”

Often the character is played by an older singer as what he calls “a fat clown, a ridiculous guy.” But Groissboec­k is so dashing that it’s easy to understand why Strauss and librettist Hugo von Hofmannsth­al initially thought of making him the title character. Audiences will get a chance to see for themselves on Saturday when the final performanc­e of “Der Rosenkaval­ier” is broadcast live in HD to movie theatres worldwide.

THE LOWS AND THE HIGHS

Groissboec­k, who first sang the role in Salzburg in 2014, said he was drawn to it in part because Ochs comes from the same region of Lower Austria where he grew up and speaks in a dialect with which he is familiar. “But I was very afraid of the vocal demands because it’s almost unsingable,” he said. “It has everything. In the very bottom you have a low C, and then you have incredible high notes, including an F over nine bars.”

HAIL AND FAREWELL? MAYBE NOT

Fleming, a reigning star at the Met since her debut in 1991, is winding down her operatic career at age 58. Though she has said she may take on new roles, she is retiring those with which she has been most associated, including the Marschalli­n in Rosenkaval­ier. Also bidding farewell to her role — though hardly to her career — is mezzo-soprano Elina Garanca, who is portraying the title character, Octavian, for the last time. Soprano Erin Morley completes the trio of female stars as Sophie.

WHERE TO SEE IT

Der Rosenkaval­ier, the final HD broadcast of the Met season, will be shown starting on Saturday, with encores on June 17, 19 and 21. Go to Cineplex.com for informatio­n.

 ?? KEN HOWARD/METROPOLIT­AN OPERA/THE ASSOCIATED PRESS ?? Guenther Groissboec­k, left, and Renee Fleming during a performanc­e Richard Strauss’s Der Rosenkaval­ier, in New York.
KEN HOWARD/METROPOLIT­AN OPERA/THE ASSOCIATED PRESS Guenther Groissboec­k, left, and Renee Fleming during a performanc­e Richard Strauss’s Der Rosenkaval­ier, in New York.

Newspapers in English

Newspapers from Canada