Edmonton Journal

KIDS STUFF

Renowned Internatio­nal Children's Festival adds extra day to its 2017 lineup, writes Liane Faulder

- lfaulder@postmedia.com twitter.com/eatmywords­blog

Local lovers of play dates for the imaginatio­n have a chance to indulge their fantasies as St. Albert’s Internatio­nal Children’s Festival of the Arts adds another day of programmin­g to the mix for 2017.

For the first time, the festival includes Sunday, adding more than a dozen extra plays, puppet shows and musical performanc­es to the mix, which now features 92 shows over six days starting May 30.

Festival co-ordinator Stephen Bourdeau says organizers listened to the public, who clamoured for extra shows to accommodat­e the schedules of busy families. Also, the festival created a new smartphone app called Your Passport to Adventure, which guides festival-goers through diverse main stage acts, as well as an array of on-site highlights and a special Toddler Town for those too little to sit still for long.

“I love telling people what I do,” says Bourdeau of his role as a metaphoric­al juggler of fun for the festival.

He says as soon as people learn he runs the festival, thriving for more than 35 years in St. Albert, they can’t wait to talk about their childhood encounters with art.

"Everybody has a story, like ‘I remember going as a kid and that’s where I fell in love with painting,’ or, ‘To this day, I go to the theatre.’

“And it’s multigener­ational. For myself, I experience­d it when I was young, and now I am taking my own kids to it as well.”

Boudreau, who grew up in St. Albert, is particular­ly excited about one of the shows, The Man Who Planted Trees, presented by Scotland’s Puppet State Theatre Company. A multi-sensory experience, it tells the story of a French shepherd and his best friend, Dog, who set out to transform a barren wasteland into a green retreat.

“The troupe go the extra mile and have scents pumped into the theatre, such as lavender and other smells based on the scene,” he says. “It’s a surround-sound experience, with birds chirping behind you. That sensory piece makes it stand out.”

He also looks forward to the premiere of Niniimi’iwe (pronounced knee-knee-me-way), created by Winnipeg’s Aboriginal School of Dance, which explores Native American culture through music, motion and creation stories.

The school’s founder and owner, Buffy Handel, says Niniimi’iwe is special because it was the first dance she developed for the troupe in 2008. The original cast of Niniimi’iwe, who were as young as six and seven at the time, are now coming together as teenagers.

Niniimi’iwe incorporat­es not just aboriginal choreograp­hy, but the dance moves of other cultures, including Brazil’s samba style.

“The concept of equality of different nationalit­ies is about being able to relate to the other cultures, and rely on the similariti­es and not the difference­s,” Handel says. “The best way of doing this is by going to the place where people are in a time of celebratio­n, through music and dance.”

The dance includes features as varied as a giant butterfly and a buffalo hunt, and is gorgeously appointed with hand-made traditiona­l aboriginal regalia, set off with fluorescen­ts and black lights.

As an internatio­nally sanctioned attraction, the festival must offer a certain percentage of non-Canadian programmin­g. This year, four out of eight shows are from outside our borders, including two from the U.S. and one from Korea. The festival is the largest in Canada, and one of the biggest in North America, attracting between 50,000 and 60,000 attendees. Some 15,000 school children come from northern Alberta, British Columbia and Saskatchew­an.

“A lot of smaller communitie­s don’t have arts programmin­g in their schools. We have students from Onion Lake who get up at 2 a.m. to drive six hours and then cram it all into a day or two.

“A lot of people associate children’s festivals with face painting, but that’s just the surface of what we do. We inspire children by exposing them to the arts in a fun and entertaini­ng way.”

Weekdays, the festival is geared toward school groups, although limited performanc­e tickets are still available for individual­s and families, so long as they book in advance at the festival’s five indoor theatre venues for shows such as Madagascar — A Musical Adventure, Moon Mouse: A Space Odyssey and BAM Percussion.

A Festival Finale rounds off the programmin­g Sunday with a lineup of favourites. The Outdoor Stage at St. Albert Place Plaza bursts with free activities such as airbrush tattoo, photo booth and roving artists.

 ?? LARRY ?? Stephen Bourdeau says he loves telling people he co-ordinates the St. Albert Internatio­nal Children’s Festival, a festival he attended as a child.
LARRY Stephen Bourdeau says he loves telling people he co-ordinates the St. Albert Internatio­nal Children’s Festival, a festival he attended as a child.
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