Edmonton Journal

Inspired design will light the way

Illuminate your home and brighten your life with any of these distinctiv­e fixtures

- KIM COOK

Creative new shapes and technology mean that home lighting fixtures often do far more than provide illuminati­on. They can be exciting and sculptural works of art.

“Designs are now not only a source of light, but a distinctiv­e feature of an interior design,” New York architect West Chin says.

Chin recently hung a frothy cluster of LED glass bubbles over a dining table in a minimalist apartment in downtown New York. The fixture’s a focal point in an otherwise sparely decorated space. In a flatiron duplex, he placed a trio of mesh orbs over the staircase. When the lights are on, shadows dance theatrical­ly against a panelled feature wall.

Chin’s also a fan of Stickbulb, a lighting component created by RUX studio in the Big Apple. The “stick” is offered in maple, walnut, reclaimed heart pine, ebonized oak or redwood that’s been salvaged from one of New York’s old water towers. Fitted with an LED, the sticks attach to a central metal element and can be configured into various shapes, such as fireworks or cantilever­ed mobiles.

“I’d guess the design process has been affected in the most liberating way with the developmen­t of the LED bulb,” Chin says.

At Milan’s Salone del Mobile this past April, the Euroluce lighting exhibition halls showcased LEDs and other technology in imaginativ­e ways. Hungarian firm Manooi used Swarovski crystals to craft sinuous fixtures evocative of infinity symbols. Bocci showed fixtures made by injecting soda water into hot glass, then folding and stretching it into pearlescen­t pendants that looked like giant glowing ribbon candy.

Designer Tom Dixon took over Milan’s iconic old theatre, Cinema Manzoni, to show his furniture and lighting. One collection was called Cut, and its faceted clear or smoky fixtures, with mirrored finishes and metallized interiors, resembled enormous futuristic crystals.

Brandon Quattrone and Mat Sanders of Consort Design in Los Angeles say that when they’re planning a room that calls for a large piece of statement lighting, they start with that piece first, building everything else around it.

Designer Ghislaine Vinas used a similar philosophy on letting lighting provide the wow factor in a Montauk, N.Y., beach house project. She hung Alvaro Catalan de Ocon’s PET Lamp chandelier in an all-white dining space. The brightly hued lights, hanging on coloured cords, brought in an element of playfulnes­s.

Other intriguing fixtures new to the marketplac­e employ modern technology with a nod to classic design. Corbett Lighting’s Theory ceiling fixture is an ode to mid-century Italian design, with horizontal spokes alternatin­g clear glass and gold-leaf iron rods. Calibrated LEDs gracefully cast light up and down. Metropolis’s interconne­cting hand-forged iron cubes surround an LED light source, and the whole thing is suspended on aircraft cables, melding 21st-century and modernist design.

The shape of Humanscale’s Vessel quartz crystal pendant conceals a glare-free LED that makes it seem lit from within. The effect would play well in a hallway or over a long table or island. Restoratio­n Hardware, meanwhile, has a collection of forged brass, steel or bronze pendants in drum, funnel or dome shapes that give off an industrial vibe.

Jonathan Browning was inspired by ’60s French minimalist design for his Aquitaine series, which features slender brass, nickel or bronze tapers tipped with faceted LEDs suspended on black cord. And a turn-of-the-century Venetian design is updated in the soft curves of Icaro, with fibreglass replacing Fortuny silk, and gold or silver metal-leaf trim adding romantic flair.

At Rejuvenati­on Lighting, designer Brendon Farrell of Portland, Ore., has a floor lamp with an elongated linen drum shade perched on a brass stand, which is embedded in a white or black oak ball base. And art meets engineerin­g in Contrapess­o, O&G Studio’s pendant, in which an LED -lit glass ball is counterbal­anced by a small brass or bronze globe. It’s lighting made acrobatic.

 ?? GARRETT ROWLAND/GHISLAINE VINAS INTERIOR DESIGN ?? Ghislaine Vinas let the lighting serve as the centrepiec­e for this beach house in Montauk, N.Y. Vinas used Alvaro Catalan de Ocon’s PET Lamp chandelier in the all white dining space. “It really pops and becomes a conversati­on piece,” she says.
GARRETT ROWLAND/GHISLAINE VINAS INTERIOR DESIGN Ghislaine Vinas let the lighting serve as the centrepiec­e for this beach house in Montauk, N.Y. Vinas used Alvaro Catalan de Ocon’s PET Lamp chandelier in the all white dining space. “It really pops and becomes a conversati­on piece,” she says.
 ?? CORBETT LIGHTING ?? Corbett’s Theory is a mid-century homage.
CORBETT LIGHTING Corbett’s Theory is a mid-century homage.

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