Edmonton Journal

Instantly a star

South African soprano gets high-profile Metropolit­an debut in Mozart classic

- MIKE SILVERMAN

NEW YORK Some young singers make their Metropolit­an Opera debuts in low-profile fashion, perhaps joining the company in a minor role or slipping into the second cast of a routine revival. Not Golda Schultz.

The South African soprano became an instant star on the third night of the new season, singing the lead role in Mozart’s Die Zauberflot­e (The Magic Flute) in Julie Taymor’s fantastica­l production. Her conductor was none less than James Levine, the company’s music director emeritus. And her debut run gets even higher visibility this Saturday when the final performanc­e is broadcast live in HD to movie theatres worldwide.

Schultz portrays Pamina, daughter of the malevolent Queen of the Night. Pamina finds happiness with her true love, Prince Tamino, but only after both undergo a series of ordeals. Pamina is sometimes viewed as a rather passive character whose fate is played out by forces beyond her control. Schultz disagrees.

“I think a lot of people seem to underrate her,” she said. “I find she is surprising­ly strong.

“She is the one who saves herself. She tells Tamino: ‘Listen here, my father made the flute, the flute’s magic, watch it do what it can. We’re going to get through these trials together. Not you saving me, but we’ll help each other.’ So it’s quite a modern understand­ing of relationsh­ips.”

The role provides Schultz with an ideal opportunit­y to show off her lyric soprano voice, notable for her ability to loft high notes on a cushion of sound. In The New York Times, critic Zachary Woolfe remarked on the moment when she is reunited with Tamino before their final trials, writing: “She floated a line as plainly beautiful as anything I heard” during the opening week of the season.

Schultz’s parents are both mixed race. Her father’s family is descended from German traders who settled in the eastern part of the country, hence her last name. Her first name is in honour of Golda Meir, the first female prime minister of Israel.

“My mother’s a bit of a feminist,” Schultz said. “She found (Meir) to be a fascinatin­g, strong woman who acted in good faith for her people.”

Schultz is Roman Catholic, but because of her name people who haven’t met her often assume she is Jewish.

“I was singing a concert once and my friend was sitting behind these two lovely ladies,” Schultz said.

“They started reading the program to see who was coming next and they said, ‘Oh, Golda Schultz, nice Jewish name. Can’t wait to hear her.’

“Then I walk onstage and the friend turns to her friend and says, ‘That girl’s not Jewish!’”

 ?? RICHARD TERMINE/METROPOLIT­AN OPERA ?? Golda Schultz, left, is Pamina and Charles Castronovo is Tamino in this season’s production of Mozart’s The Magic Flute at the Metropolit­an Opera in New York.
RICHARD TERMINE/METROPOLIT­AN OPERA Golda Schultz, left, is Pamina and Charles Castronovo is Tamino in this season’s production of Mozart’s The Magic Flute at the Metropolit­an Opera in New York.

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