Edmonton Journal

Harcourt House set to celebrate 30th anniversar­y

- FISH GRIWKOWSKY

Of all unlikely incubators, artist-run centre Harcourt House was born out of the devastatio­n wrought by Edmonton’s Black Friday tornado in 1987.

“There was a group of artists who banded together and organized a major art auction,” explains the gallery’s executive director Jacek Malek, “proceeds going to people affected — especially (those with) low income.

“The results were phenomenal — kind of a community spirit, an act of solidarity. This created kind of a jumping board.”

Using this momentum, “the group formed an organizati­on, and with it the principle intention to create the art centre and affordable, sustainabl­e studio spaces so artists could solidify their creative careers.”

What happened was exactly that. Celebratin­g its 30th anniversar­y this Sept. 1, Harcourt House is now one of three major, non-profit artist-run centres in Edmonton — including Latitude 53 and SNAP.

With active education facilities and 42 rental studios, the facility is spread over two buildings at 10215 112 St.

On the third floor, the main gallery focuses on mid-career and profession­al artists, while the incubator gallery is for emerging and recent art school graduates from the Edmonton area.

“To give them that first opportunit­y to publicly speak with their work. That’s very important because it also brings a new audience to the gallery.”

Malek notes an alluring show last year by painter Wei Li, who was up for the prestigiou­s RBC prize.

Notable contempora­ry artists who have shown at Harcourt over the years include Luke Lindoe, Peter Hide, Lyndal Osborne, Walter Jule, Liz Ingram, Violet Owen, Douglas Haynes, Robert Scott, Isla Burns, Clay Ellis, Chris Cran, Peter von Tiesenhaus­en and Lilian Klimek. The list of mid-career and emerging artists is daunting.

Also, last September, part of the first Edmonton Design Week offsite at Enterprise Square, Harcourt and Malek brought in internatio­nally acclaimed graphic designer Shin Matsunaga from Tokyo.

So with the big birthday in mind, this year the annual members show tried something new: a meaningful rather than tacked-on theme. In Search of the Human Essence is up through July 14 in the third-floor gallery space. A full list of its participan­ts is at harcourtho­use.ab.ca.

“The artists are responding to several issues,” the director notes. “Safety, global conflicts, globalizat­ion, mobilizati­on of communitie­s — including disintegra­tion of communitie­s.

“There are also issues of transgende­r, gender identity. One of the artists, Terry Gregorasch­uk, did respond very aptly and philosophi­cally to that.

“It’s a quite a range, a huge stylistic and artistic geography. But once the call went out, people starting asking if their work fit the theme — so we had this great community engagement, as opposed to having the exhibition on so-called open water, ( just) an annual salon of what everyone’s doing in their studios. We think we’ll continue with new topics, probably on a biannual basis.”

In addition, the 26th annual Naked Show, Figurative­ly Speaking, runs June 21-July 14 in the Annex building to the south, including nude poetry reading at the opening.

For 12 years, Malek worked in Calgary at the Triangle Gallery — now Museum of Contempora­ry Art Calgary — which coincident­ally opened the exact same day 30 years ago as Harcourt.

A rarity among artist-run centres, Harcourt has been in the same space its entire existence. Malek was brought in to help stabilize the organizati­on in 2016, and notes, “A question I had during my interview was about his building. I said, ‘We are staying here. This is the fort, we will be fighting.’”

His tactics are numerous and inspiring. “We have plans for retrofitti­ng the area on the first floor for additional gallery space. We’re still waiting for the official lease from the government — and that will give us a five-year window of opportunit­y to finalize the negotiatio­n with Alberta Infrastruc­ture to acquire the building and the land.

“We even have the working name: Kool Haus Gallery.

The architectu­ral reference is intentiona­l. “We would like to use that space not only for our tenants, but also aspiring designers and architects. Not to show the final products, but more the process.

He notes, “I think the inaugural exhibition for Kool Haus will be dedicated to Freda O’Connor, designer of this building. She was the first female architect elected to the Alberta Society of Architects in 1966, first female president of the Architectu­ral Associatio­n in Canada.” With her husband, she helped bring the Prairie School architectu­re to Edmonton.

Malek is trying to get O’Connor’s building, which opened in 1964 and formerly housed Alberta’s Department of Transporta­tion, designated a historical resource by the city.

“Gosh, how many 20th Century buildings were razed? This is what we’d like to prevent.”

Malek is actually enthusiast­ic about historical status bringing on new limitation­s to renovation­s and upgrades.

“I’m a fanatic,” he laughs. “I sat on the Heritage Board in Calgary.”

From Harcourt, Malek also wants to launch an internatio­nal art exchange program like one he worked on at Triangle, “promoting 85, 90 artists from Western Canada on the internatio­nal stage, including Greece, China, Portugal, Poland, Czech Republic, Slovakia, Finland, Australia, United States.”

This he hopes to have in place around 2022.

He sees the exchange program, which will also spread the word about Canadian art history, as being, “Artists to artists, curators to curators. We basically pave the road and we ask artists to follow.”

The director’s ambition echoes back to how the gallery got started in the first place: co-operation and cultivatio­n from an underdog position. “We can’t stand alone. We have to be smart and work together, create an environmen­t for Harcourt House in the next 30 years.”

His overall goal is simple enough: “Take Harcourt House to a new level of prominence as the primary art centre in Edmonton.”

As Harcourt House ’s 30th anniversar­y approaches, executive director Jacek Malek mulls over its historic past and looks toward its potential with new exhibition­s and renovation­s

 ??  ?? Harcourt House executive director Jacek Malek predicts big things for the artist-run centre as it enters its fourth decade.
Harcourt House executive director Jacek Malek predicts big things for the artist-run centre as it enters its fourth decade.
 ??  ??

Newspapers in English

Newspapers from Canada