Edmonton Journal

A nicely written, fast-paced yarn

Writer cements efforts to make series his own

- BRUCE DESILVA

Robert B. Parker’s Colorblind Reed Farrel Coleman G.P. Putnam’s Sons

Small-town Massachuse­tts police chief Jesse Stone’s lifelong drinking problem hit bottom in The Hangman’s Sonnet as he anguished over the death of his fiancée, who was murdered in Debt to Pay.

Now, in Colorblind, Reed Farrel Coleman’s fifth Jesse Stone novel (the latest instalment in a series originated by Robert B. Parker, who died in 2010), Stone returns to work after a long-overdue month in rehab.

Any hope that he could ease back into the job is dashed when a young black woman with a white boyfriend is brutally raped and murdered. At first, Jesse thinks the case resembles another from years ago, but when a cross is burned on the lawn of another interracia­l couple, Jesse recognizes that a new kind of trouble has come to the town of Paradise.

Colorblind represents a further advance in Coleman’s effort to make this series his own. For one thing, he has made no attempt to mimic Parker’s idiosyncra­tic writing style. For another, he has been gradually deepening the character of the protagonis­t, making him more human and memorable. This time around, he has changed the fictional seaside town of Paradise too, diversifyi­ng its ethnic and racial makeup with a wave of outsiders moving in from nearby Boston.

Some folks in town are uneasy about that. When a young black officer whom Jesse hired over the objection of the town council guns down an apparently unarmed white suspect in the cross burning, tensions run high.

As a white nationalis­t organizati­on from out of town muscles in, urging residents to “take your town back,” Jesse has to act fast.

The result is another well-written, fast-paced yarn from one of the acknowledg­ed masters of crime fiction.

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