It’s all about the skirtsuit this season.
The remix of the skirt-suit is equal parts powerful and playful.
PRINCESS DIANA’S PINK VERSACE skirt and blazer, Ally McBeal’s kooky miniskirts, Hilary Banks’ blazers in The Fresh Prince of Bel-Air…of all the iconic 1990s trends to make a comeback, the skirtsuit has been sadly overlooked—a sartorial wrong that’s finally being put right this season. But instead of it being another prim, matchy-matchy moment, designers have maxed out the skirtsuit’s potential for joyful self-expression, disrupting its association with a homogenous workwear uniform in favour of a celebration of femininity, individuality and power.
On fall/winter 2020/2021 runways, everyone from Michael Kors to John Galliano (at Maison Margiela) put their own signature spin on the skirtsuit. (That would be preppy and postmodern, respectively.) Luxury houses Fendi and Hermès both presented leather versions, while LVMH prizewinner Thebe Magugu’s soft-pink style contributed to the South African designer’s social commentary on women’s rights. Jonathan Simkhai updated the classics with a swingy pleated black skirt worn with a cropped trench coat, and Canadian Andrew Coimbra added sex appeal to his skirtsuit with a thigh-grazing slit. Unlike the body-con cuts of yore, hemlines across the board hovered between the knee and the ankle, while toppers ran the gamut from a shearling-lined pilot jacket at Valentino to loose-fitting blazers at Chloé to a moto-inspired option at Eckhaus Latta. According to Tyler Franch, vice-president, fashion director at Hudson’s Bay, this season’s take is more about letting loose than buttoning up. “Suits are getting softer,” he says. “It’s less about nipped waists and structured
shoulders and more about relaxed jackets and easy bottoms.” He recommends pairing a ’90s-inspired blazer with a pleated maxiskirt so there’s no fear of channelling Sigourney Weaver in 1988’s Working Girl. “I think it’s about relaxed fits and keeping the look clean and simple,” he adds.
It’s an approach that fits nicely with today’s creative-casual gig economy, where wearing a skirt-suit may seem restrictive. In fact, the history of the skirt-suit runs parallel to the social and professional empowerment of the Western woman. The design traces its origins to 19th-century Europe, when women wore tailored jackets with long skirts for activities like horseback riding and archery. (When the style was adopted outside of this sporting realm, it paved the way for athleisure.) Womenswear maverick Coco Chanel is generally credited with creating the contemporary women’s suit, one of her many designs that skipped restrictive cuts in favour of flexible, military-inspired tailoring and forever changed fashion. And when women joined the corporate rat race en masse in the 1980s, the concept of power dressing took off, with Giorgio Armani’s shoulder-padded suits setting the bar.
In Canada, that honour belongs to Alfred Sung. Founded in 1980, the Toronto-based brand recently added a customization program to its offerings, including made-to-order skirtsuits. “With that juxtaposition of bare and covered, a skirt can add drama where pants can’t,” says merchandise director Tamara Mimran, who runs the label with her brother Jordin, the brand’s creative director. (Their father was one of the label’s co-founders.) It’s a style she hopes that her clients will request more often. “Skirtsuits say femininity in your power,” she says. And when it’s made just for you, there’s no better form of self-expression.