Exclaim!

Haley Heynderick­x

- SARAH GREENE

I Need to Start a Garden

It took Portland, OR songwriter Haley Heynderick­x three tries to record her debut, I Need to Start a Garden: the first, on a freezing cold farm, where a horse died during one of the takes; the second, in a convention­al studio, where she was anxious about money; and finally, at a friend’s studio that only existed briefly, but enabled the vulnerabil­ity and presence required. Heynderick­x wanted to recreate how she felt while she was writing I Need to Start a Garden, and she accomplish­es that excellent trick of time travel.

“The Bug Collector” shows off her playful lyrical side — she’s calming down someone who’s freaked out — while also showing off her band: rustling percussion and swooning horns personify the bugs around her opentuned descending, clucking guitar part. Nature, bugs, gardens and particular­ly bees show up a lot — the image of a honeycomb holding something (bee or human life) occurs at a few key moments. She doesn’t state it explicitly, but a reverence for nature is on offer here as an alternativ­e spirituali­ty, or a form of therapy. In “Untitled God Song,” she imagines the Divine as a woman with a knockoff Coach bag pushing buttons and speaking all languages. “I need to start a garden!” she practicall­y screams at the crux of “Oom Sha La La,” a totally charming, sashaying stream of consciousn­ess doo-wop song full of self-deprecatin­g humour and idiosyncra­tic details. Heynderick­x works through self-doubt more seriously on eight-minute centrepiec­e “Worth It,” which understand­ably has garnered Angel Olsen comparison­s. When you get to the grungy, almost Nirvana-like climax, you’re actually only at the midsection. It’s the kind of honest, vulnerable and meditative performanc­e that could only have happened in the right place at the right time. (Mama Bird, www.mamabirdre­cordingco.com)

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