Fashion (Canada)

CLEAN SWEEP

From sculptural outerwear to sleek pencil skirts, H&M’s sister label COS brings Euro minimalism to Canada this fall. By RANDI BERGMAN

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IF YOU’VE EVER COME BACK FROM VACATION

with a suitcase full of new clothes, you’re probably pretty familiar with the thrill of responding, “Oh, this old thing? It’s from Paris,” to anyone who asks. Well, it looks like those days are done, as one of Europe’s best-kept secrets hits Toronto and Montreal this fall. A favoured stop for globetrott­ers with a taste for dramatic simplicity (think wide turtleneck sweaters paired with super-wide trousers), COS (a.k.a. Collection of Style) is Swedish megachain H&M’s chic higher-end sister. Launched in 2007, when it debuted on the runway at London Fashion Week, this cool label offers sleek staples in muted palettes, going big on the industry’s new wave of streamline­d minimalism pioneered by the likes of Céline’s Phoebe Philo. This season, the label’s kimono-style coats are the perfect paradigms, with obi belts adorning dusters and Watteau panels adding drama to the backside. Simply put: It’s not trendy—in a good way.

“We are heavily inspired by the world of art and design and take inspiratio­n from creative outlets rather than following trends,” says Karin Gustafsson, head of womenswear design at COS. The cool blonde Scandinavi­an walks me through the season’s inspiratio­n board at the brand’s HQ in London and is the picture of effortless­ness in a silk tuxedo dress and gleaming block-heel sandals. Fall’s inspiratio­n runs the gamut from Japanese kimonos to German photograph­er Olaf Otto Becker’s shots of Nordic glaciers. “We lock ourselves in a room for a few days to create our vision for the season,” she says. Glacial shades seem just right for the brand’s Canadian entry—an icy blue sleeping bag coat and a speckled black and white wool pencil skirt stand out as insta-hits.

At its core, COS is a treasure trove of staples, with a twist. Take this season’s many iterations of the white button-down: finished with drawstring­s, selectivel­y placed cut-outs and gathered backs. “We love reinventin­g classics and reinterpre­ting them in unexpected ways,” says Gustafsson. “It goes back to our approach to design—creating quality, timeless pieces.” If we’ve learned anything from normcore, it’s that timeless dressing is where it’s at.

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 ??  ?? FALL 2015 LOOKS FROM COS; HEAD OF WOMENSWEAR DESIGN KARIN GUSTAFSSON (BELOW) AT HER OFFICE IN LONDON
FALL 2015 LOOKS FROM COS; HEAD OF WOMENSWEAR DESIGN KARIN GUSTAFSSON (BELOW) AT HER OFFICE IN LONDON
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