Inuit Art Quarterly

Jimmy Manning

- Barry Pottle b. 1951 Kinngait, NU

When I first saw the photograph­ic work of Jimmy Manning, I found it awe inspiring and exciting, particular­ly his early images depicting life on the land and everyday life in and around Kinngait (Cape Dorset). There is a consistenc­y to his work and an attention to detail that shines through, whether it’s a portrait of an artist at work in the studio or an image of caribou antlers strung across the top of the boat. To some these are scenes of everyday life, but to me, as an artist, they represent the creativity and challenge of documentin­g life—Inuit life—in a thoughtful way. As a photograph­er, Jimmy shed light on his community in a manner that I hadn’t seen before and one that has pushed me to try to capture my own Urban Inuit experience. His creative influence and experiment­ation has allowed me to try different approaches, use different perspectiv­es and explore different themes. His work as both an artist and an administra­tor with the West Baffin Eskimo Co-operative has been an inspiratio­n for me, and watching him build his career as one of the first profession­al Inuk photograph­ers has taught me there are no real limits. His sense of profession­alism and his calm mannerisms are something I strive to emulate. Following in his artistic footsteps gives me passion, new ideas and the sense that I can do it too. –

 ??  ?? Jimmy Manning What Will He Think of Next? c. 1980 Slide photograph COURTESY THE ARTIST
Jimmy Manning What Will He Think of Next? c. 1980 Slide photograph COURTESY THE ARTIST

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