Journal Pioneer

Celtic culture

Take a breathtaki­ng theatrical journey through time with ‘Great Scot!’

- BY DESIREE ANSTEY

The College of Piping’s new summer production “Great Scot!” is bringing to life Scotland’s most notable historical figures in the college’s new Celtic Performing Arts Centre.

A multiple Gemini and Canadian screen award winner has written, directed and helped choreograp­h a summer production that’s ready to raise spirits in Summerside, and bring to life Scotland’s most notable historical figures in the new customdesi­gned Celtic Performing Arts Centre. Along with the help of a worldclass team, Shelagh O’Brien has cherry picked local performers to seamlessly transport the audience through time and place with military-precision dancing, silky smooth Celtic harmonies, storytelli­ng and enchanting musical numbers in “Great Scot!.” “My goal is to celebrate the Celtic arts that are being taught at the college, raise the bar theatrical­ly, and give people an experience that makes them want to return again and again, because it’s a fundraiser for the centre,” she said. The stage is set as a colossal ancient clock tower, which is home to the main character Angus, a clockmaker. With dramatic lighting, projection and choreograp­hy, Angus magically stops the spinning hands of time to transport the audience forward or back through centuries of Scottish history. “Angus stops time to give us a snap shot of an historical figure, and even if you are not Scottish, you’ve probably heard of Mary, Queen of Scots, Robert the Bruce, or Alexander Graham Bell, to name but a few,” chimed O’Brien. “My hope is that the show is memorable and people come away learning more about each of the great Scots. But this is not a history lesson; it’s entertainm­ent.” The contempora­ry spectacle has lots of traditiona­l charm. There are dramatic, whimsical and funny scenes, including a crescendo of strong moments when a pin drop could be heard. Peter Gallant, music director, says the Highland summer production is at the “heart and soul” of the college. “This show is about the pipers, the drummers, dancers and singers of this college, and what they teach here at such a high level. We’ve done everything to frame these elements scene by scene or Scot by Scot, in this particular case,” he said. The architectu­re of the new venue celebrates the extraordin­ary acoustics – balancing each musical note. “We have a Highland pipe band with Scottish drums and a house band where there are four live multi-instrument­alists that will sometimes sound like 11, through the assistance of technology,” added Gallant, who noted the skills and talents of students and instructor­s will be brought to light. The production that magnifies the new centre has garnered the title sponsor of Confederat­ion Bridge. “We are excited to renew our affiliatio­n with College of Piping and the production of ‘Great Scot!’ Our maintenanc­e team were proud to be a part of the set build and we hope you like what you see,” concluded Michel Le Chasseur, general manager of Confederat­ion Bridge. Opening night of the show is Wednesday, July 11. Doors open at 7 p.m. and the performanc­e starts at 7:30 p.m. Shows run throughout the summer. For more informatio­n or to book tickets, visit www.CollegeOfP­iping.com or call (902) 436-5377.

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 ?? DESIREE ANSTEY/JOURNAL PIONEER ?? World champion Highland dancer, Daniel Carr, leaps into the air during a rehearsal scene for the College of Piping and Celtic Performing Arts summer show, “Great Scot!”
DESIREE ANSTEY/JOURNAL PIONEER World champion Highland dancer, Daniel Carr, leaps into the air during a rehearsal scene for the College of Piping and Celtic Performing Arts summer show, “Great Scot!”
 ?? DESIREE ANSTEY/JOURNAL PIONEER ?? The character “Angus,” played by Brad Simkulet during a rehearsal scene, magically stops the spinning hands of time to transport the audience members forward or back through centuries of Scottish history, while introducin­g Scottish heroes in each timeframe.
DESIREE ANSTEY/JOURNAL PIONEER The character “Angus,” played by Brad Simkulet during a rehearsal scene, magically stops the spinning hands of time to transport the audience members forward or back through centuries of Scottish history, while introducin­g Scottish heroes in each timeframe.

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