Lethbridge Herald

Spelling bee film opening Hot Docs festival

NEARLY HALF THE FILMS IN EVENT ARE DIRECTED BY WOMEN

- Victoria Ahearn THE CANADIAN PRESS — TORONTO

Last March, as Toronto photograph­er Lana Slezic researched ways to help her eight-year-old son spell better, she heard that the first-ever provincewi­de First Nations Spelling Bee would be held that month, in Saskatchew­an.

Just 10 days later, she was on a plane to the province to make a documentar­y on the inaugural bee and its participan­ts.

“I got shivers all over my body and I thought, ‘Wow, this is going to be an amazing story,’” she said.

Slezic was onto something: her film “Bee Nation” has landed the opening-night slot at the Hot Docs Canadian Internatio­nal Documentar­y Festival, which runs April 27 to May 7 in Toronto.

“As soon as we saw the film we thought, ‘This is a film that will open eyes, open hearts and open minds about some of the issues affecting indigenous communitie­s throughout the country, wrapped in a really positive, heart-warming story about indigenous youth who are just pursuing their goals and whose parents are really supportive,’” said Shane Smith, Hot Docs director of programmin­g.

“Bee Nation” speaks to two of the themes running through this year’s festival: the work of women filmmakers and docs on indigenous subjects.

As Hot Docs unveiled its full 2017 lineup on Tuesday, it noted close to 48 per cent of the films are directed by women.

“I think last year we were around 40 per cent,” said Smith. “Something that we’ve really focused on at Hot Docs is making sure that we’re doing our best to represent the increased diversity in our filmmakers, not only culturally but also gender-wise.”

Other Canadian indigenous docs in the lineup include “The Road Forward,” a musical documentar­y about developmen­ts in the 1930s that led to First Nations activism today. Music also infuses the star-packed Sundance Film Festival hit “Rumble: The Indians Who Rocked the World,” about Native Americans who shaped popular music. The doc won the World Cinema Documentar­y Special Jury Award for Masterful Storytelli­ng honour at the influentia­l festival.

The Canadian lineup also includes “A Better Man,” in which co-director Attiya Khan meets up with her ex-boyfriend who abused her on a daily basis 22 years ago, to see if he’s willing to take responsibi­lity for his actions.

In Ann Shin’s “My Enemy, My Brother,” two former enemies from the Iran-Iraq War become friends in Vancouver 25 years later.

It’s an expansion of her 2015 short documentar­y that was nominated for an Emmy and shortliste­d for an Oscar nomination.

“It’s a positive film, particular­ly in light of the Trump travel ban,” said Shin.

Smith said “Trump is haunting a lot of documentar­ies” in the lineup, which has a total of 230 titles from 58 countries.

“The shift in the U.S. is something that really comes through subtly in a lot of the documentar­ies,” he said.

Meanwhile, Syria is featured in eight titles, including “Hell on Earth: The Fall of Syria and the Rise of ISIS,” “69 Minutes Of 86 Days” and “A Memory in Khaki.”

Guests expected to attend the festival include famed scientist Bill Nye, who’s the subject of the doc “Bill Nye: Science Guy.”

Oscar-nominated Canadian filmmaker Atom Egoyan will also host an onstage discussion with acclaimed director Joe Berlinger, who will present the internatio­nal premiere of “Intent to Destroy,” about the Armenian genocide. The fest will also feature a 25th anniversar­y screening of his doc “Brother’s Keeper.”

Other notable subjects in the lineup include wrestler Hulk Hogan in “Nobody Speak: Trials of the Free Press.” In “Becoming Bond,” we meet the only man to play the role of James Bond just once, and “House of Z” profiles fashion designer Zac Posen.

Earlier this month, organizers announced the festival has added a $50,000 Rogers Audience Award for best Canadian feature-length film.

Shin said the prize money would mean a lot to filmmakers.

“Frankly, we’re in the hole with (“My Enemy, My Brother”), so there’s a prize and it means so much for us filmmakers who do these labours of love to make a living or even just to stay in the black with films like this.”

 ?? Canadian Press photo ?? A still photo from the documentar­y “Bee Nation” is shown in a handout photo.
Canadian Press photo A still photo from the documentar­y “Bee Nation” is shown in a handout photo.

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