Lethbridge Herald

BITTER TIMES BREWING

FEWER JAPANESE GO DRINKING AFTER WORK

- Yuri Kageyama

Brewers feeling the pinch as younger generation takes new path

From beer gardens on the rooftops of department stores to fireworks extravagan­zas to quiet, wood-paneled craft breweries, Japanese seem to quaff an awful lot of beer in the summer.

But beer consumptio­n has been tanking for five years straight in Japan, as the younger generation shies away from the obligatory after-work drinking that was a trademark of the dark-suited heroes of Japan Inc.

Japan’s annual per capita beer consumptio­n fell about seven per cent between 2010 to 2015, according to a study by major beer maker Kirin.

The future outlook is for more of the same. It’s such an obvious trend that there’s a Japanese phrase to describe it, “beerooh banareh,” or “leaving beer,” a gradual decline that hit after beer drinking peaked in about the mid-1990s.

Younger Japanese tend to be more independen­t-minded than their baby boom generation parents or their grandparen­ts, who saw going out for beers with their office bosses and co-workers as a call of duty.

Brews also are losing out in Japan to a wide variety of other liquors, from wines to “kanchuhai” fruity cocktails, whiskies and cheaper beer-like drinks, and of course, sake.

Naturally, all this worries Haruhiko Matsuba, marketing manager for Asahi Breweries, the industry leader in Japan.

“The custom is getting lost,” said Matsuba, who says he enjoys a beer or two a day. “Beer can offer joy, happiness and smiles, and so everyone should try beer again.”

Asahi, founded in the late 1800’s, is an institutio­n in Tokyo, where its huge golden suds sign shines on the banks of the Sumida River. The annual Sumida River summer fireworks it sponsors each July work like one big huge ad for its beer — this year the city’s governor, Yuriko Koike, donned a summer kimono for televised “kanpais” —traditiona­l toasts — by the river.

In its effort to grab attention and help reverse the decline in beer consumptio­n, especially among the younger generation, the iconic Japanese brand has turned to Hollywood. It tapped actor Johnny Depp to help sell a limited-edition version of its 30year-old hit Super Dry — the brew that helped catapult it to No. 1 in the Japanese beer industry in 1998. The company’s latest ad campaign features Depp riffing on an electric guitar on a rooftop before popping a cold one.

“He is an extraordin­ary character,” Matsuba told The Associated Press. “It’s about the unexpected factor of Hollywood.”

To expand its already formidable global reach, Asahi has signed agreements with overseas beer brands, such as Italy’s Peroni, the Dutch Grolsch and Pilsner Urquell of Czechoslov­akia.

Other Japanese breweries also are expanding. Asahi’s rival, Sapporo Holdings, which has been the No. 1 Japanese beer maker in the U.S. for three decades, announced this month it was acquiring Anchor Brewing Company.

It likely would take way more than a cameo by Depp, though, to reverse the trend away from beer.

Data compiled by Kirin Brewery Co., a rival Japanese brewery, found the annual global consumptio­n of beer, at nearly 184 million kilolitres, fell in 2015 from the year before, for the first time in 30 years, as consumptio­n in China peaked.

By region, Asia still tops the world in beer consumptio­n, making up 34 per cent of global beer guzzling, followed by Europe at 27 per cent. North America accounts for 14 per cent and Africa just 7 per cent, according to the Kirin study.

By nationalit­y, Czechs were No. 1 in per capita consumptio­n of beer. Americans ranked No. 20, while Japanese were 55th, down from 38th in 2010.

“The days of the daily ‘kanpai’ and chugging beer are over,” says Kirin spokeswoma­n Naomi Sasaki.

At least, though, Japanese are starting to appreciate more nuanced craft beers, she says, reflecting their more individual-oriented lifestyles.

Japan now has about 200 small craft breweries, giving consumers more choice about the beers they drink, said Hiroyuki Fujiwara, president of the Japan Beer Journalist­s Associatio­n.

Fujiwara believes changing tastes in part reflect a change of perspectiv­e after the tsunami and nuclear disaster in northeaste­rn Japan in 2011. These days, many Japanese are less concerned about keeping up with their neighbours, he said.

“The biggest contrast to that kind of thinking is the bubble era when people simply wanted what was considered cool by society, be it their home or their car,” he said, referring to the gogo economy of the late 1980s, which collapsed in the early 1990s.

Last year, Kirin signed a deal with Brooklyn Breweries, founded by former AP war correspond­ent Steve Hindy, to replicate its flavours at its plants in Japan.

Kirin also opened a craft brewery — still relatively uncommon in Japan — in Tokyo’s fashionabl­e Daikanyama district two years ago: Spring Valley Brewery. Asahi opened one near its head office recently.

Kirin’s brewery has a western menu, spacious terrace and beers with names like DayDream and Jazzberry that are brewed behind transparen­t walls.

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 ?? Associated Press photo ?? A server pours a beer into a glass at a beer restaurant Spring Valley Brewery in Tokyo.
Associated Press photo A server pours a beer into a glass at a beer restaurant Spring Valley Brewery in Tokyo.

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