Montreal Gazette

Montreal’s changing skyline

The city is experienci­ng an upswing in constructi­on and developmen­t, especially in the downtown sector, and it is having an impact

- MEGAN MARTIN

Looking out over the skyline of Montreal’s downtown core, it’s easy to see that things are changing. Cranes can be seen, hammers can be heard and new buildings seem to be going up overnight.

There’s no question that Montreal is undergoing a boom in developmen­t. But why now? And what does it mean for the city?

This kind of developmen­t is what you want to be seeing for a metropolis like Montreal, said Clarence Epstein, director of special projects and cultural affairs at Concordia University.

“Some European cities protect their architectu­re so much that it hinders developmen­t,” he said. “We don’t really do that in North America, except maybe for parts of Quebec City and New Orleans — but not Montreal.”

In most cities, developmen­t accomplish­ed through both the private and public sectors works to change the cityscape every 10 years or so.

“But the pace in Montreal has been much slower,” Epstein said. “Not because of an effort to protect the city’s architectu­re, but because its economy hasn’t performed the same way as that of other cities, such as Toronto.”

That is, until recently; now we’re seeing an upswing in new constructi­ons and developmen­ts. It reflects the city’s current situation — one where both private and public resources are in play to add new buildings, primarily residentia­l constructi­ons, to the Montreal skyline.

In every generation we see a movement toward a different priority, Epstein explained.

“Roughly 300 years ago, churches dominated Montreal’s skyline and were a distinct characteri­stic of the city,” he said. “Then came the Industrial Revolution, when factories were erect-

“... The lifeblood of the city is an active downtown core.” Clarence Epstein

ed, especially along the canal, and came to define the cityscape in Montreal.”

After that, commercial leadership began to take place in Montreal and skyscraper­s started being built. Post-World War II Montreal was full of all kinds of aspiration­s for developmen­t, Epstein said.

“Residentia­l, commercial and industrial developmen­ts all got underway, and defined the movement in Montreal,” he said. “But in the last 20 years or so, developmen­t has been very slow — until recently, with a shift towards building residentia­l towers in the downtown core and surroundin­g areas.”

Indeed, residentia­l buildings are popping up all over the city. From Mile End and the Plateau neighbourh­oods, to the downtown centre and historical areas around the Atwater Market, new condos are going up everywhere.

“There’s clearly a belief by private developers that there is a market for their products that exists in several areas of the city,” Epstein said. “Simultaneo­usly, the city is welcoming this developmen­t, particular­ly giving incentives to encourage the owners of empty lots and parking lots to sell or develop their land.”

The boom in condo developmen­t is indicative of a change in the habits of Montreal inhabitant­s, as Montreal has historical­ly been known as a renters’ city.

“There are a number of reasons why this is changing,” Epstein said. “Perhaps most notably, baby boomers are downsizing and at the same time the younger generation coming out of university has decided to get into the real-estate market sooner and buy property rather than renting.”

A lot of the properties being purchased downtown are relatively small: 800- to 1,200-squarefoot units. The advantage i n these small units is that they’re more affordable for buyers and, because of their size, developers can fit more of them into a building.

“It’s creating a change i n the whole texture of the city as opposed to just its skyline,” said Phyllis Lambert, founder and chair of the Canadian Centre for Architectu­re. “I think the densifi-

“I think the densificat­ion is very positive. We need to bring people from the suburban areas into the city; the growth is excellent.” Phyllis Lambert

cation is very positive. We need to bring people from the suburban areas into the city; the growth is excellent.”

The areas around the Quartier Internatio­nal de Montréal and the Quartier des Spectacles are great examples of how new residentia­l buildings are creating opportunit­ies for commercial developmen­ts as well.

“Several quality buildings have since been constructe­d in those areas,” Lambert said. “When these types of developmen­ts are organized properly with the community, they’re very effective and successful.”

And the impact on commercial activity in the city is undeniable.

“Having more condos means an influx of downtown residents,” Epstein said. “I think the city has been hoping for that kind of densificat­ion for a while now.”

Until recently, there has been an exodus of people moving from downtown to the suburbs for a variety of reasons, including to raise a family or own a property on a large piece of land.

“But the lifeblood of the city is an active downtown core,” Epstein said. “So its densificat­ion is to be encouraged. Along with more residents, comes greater activity.”

This includes busier restaurant­s, movie theatres and cultural venues that will not only serve a tourist community, but a local clientele as well, which is much more likely to use those services regularly and create positive spinoff for the city.

 ?? JOHN MAHONEY, GAZETTE FILES ?? A cityscape view of Montreal’s skyline looking east from the corner of de Maisonneuv­e and Ste. Catherine St. in Westmount. The Montreal General Hospital is at the left in this 2011 photo.
JOHN MAHONEY, GAZETTE FILES A cityscape view of Montreal’s skyline looking east from the corner of de Maisonneuv­e and Ste. Catherine St. in Westmount. The Montreal General Hospital is at the left in this 2011 photo.
 ?? PHOTOS (2): DARIO AYALA, GAZETTE FILES ?? Urban design expert Clarence Epstein discusses the design features of Place des Festivals, next to Place des Arts, during the 2010 Montreal Internatio­nal Jazz Festival in downtown Montreal.
PHOTOS (2): DARIO AYALA, GAZETTE FILES Urban design expert Clarence Epstein discusses the design features of Place des Festivals, next to Place des Arts, during the 2010 Montreal Internatio­nal Jazz Festival in downtown Montreal.
 ??  ?? Montreal’s skyline seen from the Jacques-Cartier bridge last September.
Montreal’s skyline seen from the Jacques-Cartier bridge last September.

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