Guitarist-songwriter defined Memphis soul in 1960s and ’70s
Worked with Al Green, Etta James, inspired Jackson
Mabon (Teenie) Hodges, the diminutive guitarist and Take Me to the River songwriter who became a towering figure in the Memphis music scene, has died. He was 68.
Longtime friend and Royal Studio owner Lawrence (Boo) Mitchell said Tuesday that Hodges died Sunday night from complications of emphysema at a Dallas hospital. Hodges fell ill during a trip to the South By Southwest music festival in March and had been hospitalized with pneumonia since.
Hodges, rapper Drake’s uncle, was the go-to guitarist for Memphis soul in the 1960s and ’70s. He helped define the sound by working with such artists as Al Green, Syl Johnson and Etta James, and would later inspire dozens of others from Michael Jackson to Cat Power.
Born Mabon Lewis Hodges in Germantown, Tenn., in 1946, and given his nickname because of his size, Hodges was playing guitar in his father’s blues band by the age of 12. He made his first mark in the music world with the help of his brothers, who joined him to form most of the Hi Rhythm Section, the house band for influential Memphis label Hi Records.
Hodges co-wrote Take Me to the River with Green, and though the soul singer didn’t have a hit with it, it’s been covered scores of times by artists as diverse as Tina Turner, Talking Heads and Tom Jones and has become part of the standard songbook. He also wrote Love and Happiness with Green and teamed with other Memphis legends, including his mentor Willie Mitchell and singer Isaac Hayes, to craft a sound that’s easily identifiable and still influential.
“What he did for Willie over at Hi was special and unique,” Stax Records guitarist David Porter was quoted by the Commercial Appeal of Memphis as saying. “Teenie created the groove, the pocket, as one would call it. That came from the way he played rhythmically. That groove was what made the records for Al Green and so many others such big hits. And that sound, that feel, it came totally from Teenie’s spirit. That’s what the world should know about this man: His heart is in all those records.”
Hodges and the Hi Rhythm Section disbanded after Hi Records was sold in 1975, though it would often re-form over the years, and he worked with a number of musicians in the last decades of his career. He was at South By Southwest to promote the music documentary Take Me to the River, one of two films he participated in late in life.