Montreal Gazette

The Story of Us isn’t

In fact, Canada has as many histories as it does peoples

- DON MACPHERSON dmacpgaz@gmail.com Twitter: DMacpGaz

It turns out that Canadian history is a lot more complicate­d than what we learned in school, as we see in the early commemorat­ions of the 150th anniversar­y of Confederat­ion.

What you see on the commemorat­ive $10 bill to be released on June 1 depends on what you know about our history — or histories.

To reflect the country’s diversity, the design features four historical figures in a sort of Canadian Mount Rushmore on banknote polymer: an English-Canadian (Sir John A. Macdonald), a French-Canadian (Sir George-Étienne Cartier), a woman (Agnes Macphail, Canada’s first female member of Parliament) and an indigenous person (James Gladstone).

Someone who’s read James Daschuk’s bestsellin­g book Clearing the Plains might find it ironic to see Macdonald together with Gladstone, Canada’s first Senator of First Nations origin.

The book describes how Canada’s first prime minister deliberate­ly starved Gladstone’s people, the Kainai, and other Prairie First Nations onto reserves to make way for the transconti­nental Canadian Pacific Railway.

And someone who knows about the 19thcentur­y precursor to the sponsorshi­p affair would recognize Cartier, Macdonald’s Quebec ally, as well as Macdonald himself as leading players in the Pacific Scandal, so-called because it also involved the constructi­on of the CPR.

It remains to be seen whether any of this will be mentioned in the ongoing CBC television series The Story of Us.

The rose-tinted, anglocentr­ic docudrama series has been much-criticized since it premièred last month, not only for what’s in it, but also for what isn’t.

Showing that it’s not only Québécois who are sensitive about their representa­tion in national (read English-language) media, the first episode drew complaints from Nova Scotia’s premier and French-speaking Acadians that the original French settlement there was ignored.

The series premièred while French Quebec was already on high alert to signs of “Quebecbash­ing” in the English-language media after the recent Potter affair.

After the first couple of episodes aired, even the Couillard government, which has been called the least nationalis­t in the province’s history, added its voice to demands for an apology from the national public broadcaste­r.

Notably, the founding “Father of New France,” Samuel de Champlain, was depicted as dirty, unkempt and possibly crazy. After Montcalm out-blundered Wolfe at Quebec, the French were dismissed from sight, and the English took over.

Eventually, the CBC did issue a grudging halfapolog­y for the people who were too thick to understand that the series wasn’t supposed to be a complete history of Canada.

But that’s the CBC’s fault, for misreprese­nting what is really a selection of stories, many of them unfamiliar, in the very title of its series. “The Story of Us” implies that there is a single, all-inclusive history of Canada, and that the series would tell that history completely.

In fact, Canada has as many histories as it does peoples, and as many angles from which to view the same events.

That was apparent again this week, on the 35th anniversar­y of the Canadian Charter of Rights and Freedoms.

Outside this province, there was celebratio­n of the charter. But in French Quebec, it was recalled that the charter, which has been used to protect minority rights against the legislated will of the majority, was imposed on this province in a constituti­on it hasn’t formally accepted.

To some in Quebec, the continuing absence of this province’s signature from the constituti­on is a sign of a decline in the influence of francophon­es in an increasing­ly multicultu­ral Canada, from original founding people to just another minority group among others.

So is The Story of Us. But only the official history is written by the victors. As we are seeing in connection with the commemorat­ions of the 150th anniversar­y of Confederat­ion if we know where to look, there are other histories, written by the survivors.

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