Montreal Gazette

BUBBLE WRAP BONANZA

- DONNA BRYSON The Associated Press

DENVER Anyone who has lived through a major home remodellin­g project can sympathize with Laura Elliff Cruz, collection­s manager for the Denver Art Museum who is in charge of relocating or trying to protect tens of thousands of treasures during a building upgrade expected to take a year.

Art handlers have been bubblewrap­ping, taping and binning paintings, furniture, ceramics, modern sculpture and other pieces since April, with a Dec. 31 deadline for virtually emptying the seven-storey, 210,000-squarefoot (19,510-square-metre) North Building. Some pieces, like a totem pole from the Native American collection, can’t be moved, so Elliff Cruz is working on a plan involving foam and plywood to protect it. Her usual team of four or five people has been increased to 40.

Most of us don’t have 50,000 precious objects, many of them fragile, old, heavy or some combinatio­n of the above. But DAM’s experience offers some guidance on keeping valuables safe while contractor­s are turning a house into a job site.

PLANNING

“Oh my God. An art museum? Are you kidding me?” said architect Rebecca Duoos-Bourgazas, who knows a thing or two about big projects — she has helped engineers keep the lights on while overseeing power plant renovation­s. Duoos-Bourgazas renovated her own home a decade ago, and says the logistics of looking after belongings and living as normally as possible are often something “that’s overlooked when you do a remodel. People don’t understand the impact it’s going to have on them.”

Christoph Heinrich, who directs the DAM, said the first step was careful planning.

“A lot of people were engaged in this to figure it out over the last two years,” he said.

Some storage is available under a nearby building recently erected for the museum’s administra­tive staff. DAM leased two other spaces with a combined 25,000 square feet (2,323 square metres) — think pods on a grand scale.

A homeowner might keep special heirlooms safe by moving them to a relative’s place. In DAM’s case, nearly 50 paintings on loan from the museum’s Western art collection are sitting out the renovation as part of an exhibit at History Colorado Center, the flagship of the state archives, which is pairing them with artifacts like letters, photograph­s and a chuckwagon. DAM also has its Frederic C. Hamilton Building by architect Daniel Libeskind, which will remain open during the North’s renovation.

GROUPING AND LABELLING

Nan Travers is an administra­tor at SUNY Empire State College and also a fibre artist. Though her archives aren’t as vast as DAM’s, when she and her husband decided to renovate their Middle Grove, N.Y., home, she moved dyeing and felt-making supplies.

“Any dust that got in it would ruin the fibre,” Travers said.

She boxed the art supplies as well as clothes, cooking utensils and other items. She numbered each box and kept an inventory so she would know where to look if she had to pull items out of storage.

DAM has a bar coding system for the same reason.

For storage, Travers and her husband had several outbuildin­gs on their lot, including a barn and an old sugar house. The couple, two cats and two dogs lived for a year in their camper parked on the lot.

MOVE OUT WHAT YOU CAN

The Traverses’ builder, Kevin Girvin, urges clients to move themselves and their belongings out if possible.

It’s not just the dust. Vibrations from heavy equipment and banging can have the impact of a small earthquake.

“Anything expensive hanging on the wall, remove it,” Girvin said.

Zahra El-Mekkany, who runs a finance firm’s risk management department, moved to an Airbnb rental when work to update the two bathrooms of her New York condominiu­m began. Instead of storing furniture, she gave away pieces, calculatin­g that she would be redecorati­ng with new items after the renovation­s.

Some belongings stayed in her apartment, boxed and sealed. She thought they would be further protected because her contractor planned to use plastic to seal off rooms where his crews were not working.

To her dismay, El-Mekkany walked in on the first day to find demolition had started before the plastic went up.

“It was just sheer carelessne­ss,” she said.

Two tips from El-Mekkany: Choose your contractor carefully, and if you do move out, stay nearby so you can check regularly on what is happening in your home.

In Wilmington, N.C., Jill Tremlett Large saved money by staying in her home with her four-year-old son during a two-stage renovation. Her builders set up a makeshift kitchen in the living room, even plumbing a sink there.

“I didn’t have to wash dishes in the bathtub. That would have been a deal-breaker,” she said. “It was an adventure.”

 ?? PHOTOS: DAVID ZALUBOWSKI/THE ASSOCIATED PRESS ?? Denver Art Museum worker Stephanie Khoury is among the art handlers who are packaging and moving items of the Native American collection from the old building to make way for modernizat­ion of the structure.
PHOTOS: DAVID ZALUBOWSKI/THE ASSOCIATED PRESS Denver Art Museum worker Stephanie Khoury is among the art handlers who are packaging and moving items of the Native American collection from the old building to make way for modernizat­ion of the structure.
 ??  ?? Mover Elaine Skylar Neal assembles wrapped artifacts for packaging. The museum is protecting some 50,000 treasures during a major building upgrade. The remodel takes planning, labelling and temporary housing.
Mover Elaine Skylar Neal assembles wrapped artifacts for packaging. The museum is protecting some 50,000 treasures during a major building upgrade. The remodel takes planning, labelling and temporary housing.
 ??  ?? Laura Wingate, left, and Stephanie Khoury seal a package of artifacts from the Native American collection. When packing up for a renovation it’s wise to number each box and keep an inventory of what is inside.
Laura Wingate, left, and Stephanie Khoury seal a package of artifacts from the Native American collection. When packing up for a renovation it’s wise to number each box and keep an inventory of what is inside.

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