Montreal Gazette

‘An intriguing season’

Composer Andrew Lloyd Webber weighs in on some Tony favourites

- MIKE CIDONI LENNOX

LOS ANGELES Andrew Lloyd Webber has written some of the most successful stage musicals of all time. So, when he weighs in on the year’s Tony contenders, it’s time to listen.

“I’m very interested that The Band’s Visit has been celebrated,” said the composer of hits like Cats, The Phantom of the Opera and Sunset Boulevard.

The Band’s Visit, from composer David Yazbek, is based on an Israeli film about an Egyptian police band lost in a small Israeli town. The musical recently was among the year’s top Tony nominees.

“I found it very exciting,” Lloyd Webber said. “I loved the score. I hope that does well.”

The six-time Tony winner said he’s seen all the shows on Broadway: “It’s an intriguing season.”

Lloyd Webber himself is part of the latest Tonys’ mix. He and actress Chita Rivera each will receive 2018 awards for Lifetime Achievemen­t.

Lloyd Webber was at the Hollywood Pantages theatre recently to promote the Los Angeles première of his Broadway and London hit, School of Rock — The Musical, based on the 2003 movie that starred Jack Black as a down-andout musician who stumbles into a gig as a prep-school teacher.

Lloyd Webber said he originally only planned to produce the project, but found the show ’s pop-rock sensibilit­y so appealing that he ended up as the show’s composer.

The contempora­ry style is different from the classic Broadway bombast of Lloyd Webber’s Evita, Phantom and Boulevard.

But, Lloyd Webber reminded, his Broadway debut was the rock-opera smash Jesus Christ Superstar.

“I think it’s that so many of my musicals have hung around for such a long time, that people maybe forget,” he said. “But I enjoy writing in many different ways and styles.”

As for his next show, Lloyd Webber seemed eager to discuss it — but just can’t. He said its fate is currently in the hands of higher powers — in this case, rights holders.

“You’ve got to remember musicals are incredibly collaborat­ive,” he explained. “I’m only one cog in the wheel.”

It’s the same story with one of his passion projects: a film version of his musical adaptation of the 1950 film-noir classic Sunset Boulevard. Paramount first announced it was in the works — way back in 2005.

“The situation with Boulevard is that I don’t control it,” Lloyd Webber said. “Glenn Close desperatel­y wants to make it, as I do. But we haven’t had a green-light from the studio.”

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