Tiny cross aids in art historians’ revelation
Links two halves of Renaissance masterpiece
ROME • A tiny golden cross provided the clue that enabled art historians to piece together two halves of an oil painting by an Italian Renaissance master, in a discovery that has multiplied by 1,000 times the value of one of the pieces.
One half of the oil painting, entitled The Resurrection of Christ, had been kept in a museum storeroom in Bergamo, northern Italy, for more than a century.
It was considered to be a copy of the work of Renaissance painter Andrea Mantegna, or at best a painting produced by his son.
But an Italian art historian noticed, at the bottom of the painting, the faint outline of a golden cross, and began to suspect that it was not only a genuine Mantegna but part of a larger painting.
Giovanni Valagussa, the museum’s curator, discovered that the barely visible cross at the base of the painting matched a staff held by a figure in an acknowledged Mantegna work, Descent into Limbo, completed in 1493.
That work sold to a private buyer at Sotheby’s in New York in 2003 for more than US$28 million.
Further backing up his hunch, Valagussa noticed that a rocky arch in the Resurrection painting matched stonework and the interior of a cave in the Limbo painting.
He realized that the two had once been part of a single work which had been cut in two, as sometimes happened to paintings during the Renaissance era.
“This has been a compelling story of attribution, which retraced all the hypotheses and work of past centuries,” said Valagussa. “It restores to the world of culture a great masterpiece. It is the most important discovery relating to Mantegna in 30 years.”
The linking of the two works means that the top Resurrection panel, newly attributed to Mantegna, is likely to be worth US$28 million to US$30 million.
While kept in storage in Bergamo’s Accademia di Carrara, it had been insured for euros 20,000 to euros 30,000.
The new attribution has been confirmed by Dr. Keith Christiansen of the Metropolitan Museum of Art in New York, the world’s foremost expert on Mantegna.
Italian experts are now restoring the newly attributed panel, removing centuries of grime and bringing out the original colours of the painting, which shows Roman soldiers astounded by Christ’s resurrection.
Whether the two pieces will ever be reunited in a gallery or museum remains uncertain — the private owner of the lower half is said to be reluctant to allow it out of his hands.
Mantegna was born around 1431 in the village of Isola di Carturo near Padua in northern Italy. He died in 1506.