Montreal Gazette

Fest has big impact on city: richardson

Event showcases old and new talent while making lasting contributi­on to city streets

- MARC RICHARDSON marc.richardson@mail.mcgill.ca

Summer in Montreal strikes a delicate balance between chaotic and beautiful. Between the constructi­on and terrasses, the heartbeat of the city has become our festivals and events. We are world-renowned for them and we have a lot of them. They bring in droves of tourists and millions of dollars in revenue for local merchants.

This weekend served as the unofficial kickoff to summer in Montreal, with Formula One making its annual pit stop at Circuit Gilles Villeneuve for the Canadian Grand Prix. Meanwhile, Les Francos de Montréal (previously known as Les Franco-Folies) played their opening salvo Friday, and the weeklong showcase serves as the first of many festivals to take over the Quartier des spectacles throughout the summer.

Also underway was Mural Festival, which, in my opinion, is the best festival that Montreal has to offer — yes, including the Jazz Fest — despite the fact that it gets less mainstream attention than some of the city’s other stellar summer shindigs.

If you’re unfamiliar with Mural, here’s a quick primer: The event brings widely acclaimed urban artists to the city and commission­s them, along with local talent, both emerging and establishe­d, to create awesome works of public art in the neighbourh­ood surroundin­g St-Laurent Blvd. As the name implies, the result is an open air exhibition of massive murals aimed at regenerati­ng and beautifyin­g the area. There’s also an experienti­al side, with The Main closed to vehicles and taken over by art installati­ons and temporary retail spaces showcasing brands both local and internatio­nal. Oh, and there’s a musical component with an eclectic mix of artists that range from local acts to world-class headliners.

So what makes Mural so great? Well, it’s two-fold, really. For one, it offers continuous­ly accessible art installati­ons that rotate from year to year and adds a considerab­le amount to the city’s cultural capital. Second, it’s an important event for Montreal-based artists that often gives them a massive platform to help build their reputation­s. In short: despite taking place over only 11 days, the festival’s impact is long-lasting.

Its five years might pale in comparison to Just For Laugh’s 35 and the Jazz Fest’s 39, but what it lacks in history, it makes up for in youthful exuberance. Mural offers emerging local talent a unique platform where they can showcase their work alongside internatio­nally renowned artists. And, given the quality of artists that the festival attracts — and the fact that mural festivals are not common — local artists benefit from a degree of internatio­nal exposure.

Local artists and internatio­nal acts alike have cut their teeth at Mural over the last five years, from American musician Post Malone and Spanish illustrato­r Ricardo Cavolo to Laval-based DJ/producer High Klassified and Montreal visual artist Pony, who worked with Aldo on an installati­on this year.

When all that talent is combined, the result is intoxicati­ng: blocks of St-Laurent filled with passionate and excited young artists and entreprene­urs, who see a world of potential in front of them. Festivals like Mural give young creatives the opportunit­y to test themselves in their own backyard against world-class talent, but they also help entrench Montreal as a place to come to, rather than as a place to get out of.

More importantl­y, the element of renewal that the festival touts so proudly in its mission statement is decidedly present in a less obvious way. The neighbourh­ood that hosts the festival, Plateau Mont-Royal, is one of Montreal’s historical­ly creative areas. It was a neighbourh­ood that Leonard Cohen called home — something that Montrealba­sed artist Kevin Ledo paid homage to last year with a towering portrait.

By creating this sprawling open-air exhibition of art and creativity, the festival is not only beautifyin­g the neighbourh­ood — more than 80 permanent public works are part of the festival’s legacy — but passing the baton to a new generation of creatives that will call the Plateau home.

Mural typifies Montreal’s cachet, bringing together a wide array of eclectic talents to create something captivatin­g. That is what makes Montreal special to the hordes of tourists who descend on the city for the Grand Prix, but leave in awe of the public art. So while it may not get the same attention as some of the other festivals the city hosts throughout the summer, Mural is integral to the preservati­on of Montreal’s unique identity.

 ?? ALLEN MCINNIS ?? A passerby looks at the work of Jason Wasserman on the side of a Duluth Avenue building. It was part of last year’s contributi­on to Montreal’s Mural Festival, now celebratin­g its fifth year.
ALLEN MCINNIS A passerby looks at the work of Jason Wasserman on the side of a Duluth Avenue building. It was part of last year’s contributi­on to Montreal’s Mural Festival, now celebratin­g its fifth year.
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