National Post

Picture perfect

Gregory Crewdson: Brief Encounters

- BY CHRIS KNIGHT National Post cknight@nationalpo­st.com @ChrisKnigh­tfilm

Gregory Crewdson is technicall­y a photograph­er, but the scale of his work makes him seem more like a filmmaker who shoots only one frame at a time. Where most directors call “action,” he stands on his sets and calls: “And ... hold.”

Brief Encounters is a fascinatin­g documentar­y that looks at Crewdson’s methods over the several years he spent shooting a series of images called Beneath the Roses. Even he compares his process (and budget) to that of an independen­t filmmaker.

“The whole process of making art is an act of faith in a way,” he says. “This idea that you’re going to will something into existence that means something to the larger world. Particular­ly in my way of making pictures, which is this kind of preoccupat­ion with trying to make something perfect.”

Crewdson works almost entirely in tiny, crumbling towns in Massachuse­tts. The results are haunting — small, seemingly dejected figures posed in ragged rooms or on shabby streets.

The rooms are custom-built, like film sets, while the streets are carefully lit and posed. A car that appears to be in motion in the finished photograph has in fact been placed just so in the middle of the road.

Director Ben Shapiro, who made a documentar­y short on the same subject in 2005, gives us a brief outline of Crewdson’s youth. Born in Brooklyn in 1962, he remembers his father (a psychiatri­st) taking him to see a retrospect­ive of Diane Arbus — when he was 10. A brief time in a band yielded one (prophetic) hit, Let Me Take Your Photo.

Brief Encounters is just that, clocking in at 77 minutes. A little more time with the artist might be instructiv­e — he’s chatty and open, but I longed to hear more about how films inspire his work. (He mentions in passing that Beneath the Roses was first conceived as a film.)

Perhaps a sequel is in order. The film ends with Crewdson in the Cinecitta studio backlot in Rome, excited to have found a muse to match Massachuse­tts. An Internet search reveals a subsequent series of photos called Sanctuary, devoid of people but just as poignant.

Gregory Crewdson: Brief Encounters opens Dec. 21 at the Bloor Hot Docs cinema in Toronto, and Jan. 11 in Vancouver.

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