National Post

THE CONFEDERAC­Y DID NOT REPRESENT LIBERTY

- Colby Cosh

Does anyone else find it odd that the latest U.S. mass-killing rampage somehow morphed almost immediatel­y into a controvers­y over a flag? Even the pushbutton liberal machine for promoting gun control, which usually kicks into gear very quickly after events like the nine murders at the Emanuel African Methodist Church in Charleston, S.C., briefly got distracted this time before eventually finding its feet.

America is in an unusually race-sensitive mode right now, even by its own standards, and one is inclined to suspect that the so-called “Confederat­e flag” took over the discussion largely because of the recent Civil War consciousn­ess-raising by Ta-Nehisi Coates, who is the big star amongst black American intellectu­als at the moment. Coates has been, as much out of curiosity as anything — there is no non-clichéd way to say this — forcing a nation to confront its deep past in unfamiliar ways.

The U.S. Civil War is the definitive piece of unfinished historical business, and the recurring cultural presence of the Confederat­e flag is a pretty good indicator of that. It is still pretty strange for a flag debate to arise from a mass murder. The killer who shot up a church meeting was attached to that flag, but, like many solitary Internet race theorists who hanker to become men of action, he would have worn, and did wear, any emblem that was capable of making anti-racists uncomforta­ble. If the Confederat­e flag is driven out of sight in American society tomorrow, the real-life trolls will come up with something else, a subtler, more adaptable visual code, the next day.

Maybe that’s precisely what’s needed. Innocent people signalling attachment to the American South as their home, as a set of harmless folkways, could have their own symbol — and the reactionar­y white supremacis­ts could have a different one. Alas, history generally does not untangle so easily.

What we call the Confederat­e flag was never the official flag of the Confederat­e States of America, although the last such flag was quartered with the familiar “Stars and Bars” — and that’s a misnomer, too, more properly applied to a totally different flag. There is no accepted right name at all for the thing recognized today as the “Confederat­e flag.” You should not really believe the fake pedants who refer to it as the “battle flag of Northern Virginia,” although it was that. If you look at Confederat­e regimental flags in museum collection­s, you will find that the “Confederat­e flag” was increasing­ly in use toward the end of the rebellion by units in all seceding states.

The thing on the roof of the Duke boys’ car would almost certainly have become the official Confederat­e flag, if the Confederac­y had lasted long enough to settle on one. But it did disappear from popular culture for some decades, and only began to reappear during what might be called U.S. Civil War II — the period from the “Dixiecrat” presidenti­al campaign of 1948 to the legislativ­e triumph of civil rights circa 1970.

In that sense, the “Confederat­e flag” really is an uncomplica­ted symbol of racial hatred — a consciousl­y designed provocatio­n, though used unconsciou­sly, no doubt, by Lynyrd Skynyrd fans and others. Why, for example, should the flag of the Confederac­y be flying on the grounds of the South Carolina legislatur­e, as it was before a daring young lady shimmied up the flagpole on Saturday and pulled it down?

South Carolina has its own flag — quite a nice one, with a palmetto tree on it. The palmetto flag even has Civil War roots, for South Carolinian­s who might, giving them maximum benefit of the doubt, just want to honour the martial virtue of their forefather­s without giving offence. The chief difference would seem to be that, unlike the Confederat­e flag, the official South Carolina flag was never used nationally to rally modern segregatio­nists against civil rights.

The lack of an alternativ­e pan-Southern emblem for potentiall­y innocent use is a problem — and not an easily solvable one. (It is not a coincidenc­e that the Confederat­e flag was so visible on the Dukes of Hazzard show — a pop-culture soup of generic Southern-ness rooted in nothing, fraught with clashing accents and mountains next door to swamps.) Some black Americans fly Confederat­e flags, and knowingly accept the cognitive dissonance, for lack of a better way to signal allegiance to the South that they love.

Yet hostility to the Confederat­e flag seems, to me, quite proper. I am in a sort of revisionis­t camp with Coates and others when it comes to the totalitari­an nature of the Confederac­y. You cannot, as the northern radicals came to understand earliest and most clearly, have a republic that is free in all respects except for a smidgen of slaveholdi­ng.

The cotton states were demanding that northern authoritie­s suppress abolitioni­st literature and assemblies 30 years before the war, to say nothing of the Fugitive Slave Act. Slavery, already unmentiona­ble by its name in the 1789 federal constituti­on, soon became impossible to discuss at all within the deliberati­ve organs of the republic. And when war came, because the North refused to continue living by lies, the Confederac­y quickly adopted Soviet-style internal passports, papers-please policing and scrutiny of the mails for dangerous slave-agitating ideas.

White Southerner­s — even racist ones! — ought to view the victory of the Union as a narrow escape from illiberal horrors we now largely associate with the 20th century. The Confederac­y was Stalinism avant la garde. But try putting that on a bumper sticker.

You cannot have a republic that is free in all respects except for a smidgen of slaveholdi­ng

 ?? Library of Congress / Wikimedia Commons ??
Library of Congress / Wikimedia Commons
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