National Post

ALLISON WILLIAMS LOOKS TO A MORE GROWN- UP CHAPTER OF HER CAREER.

CULT SERIES GIRLS MADE ALLISON WILLIAMS A STAR. NOW SHE'S LOOKING FORWARD TO A MORE GROWN-UP CHAPTER

- Radhika Sanghani

For s omeone who made her name starring in Girls — the television show about a mixed- up group of twenty- somethings in New York — it may surprise you that actress Allison Williams struggles to identify with the messy lives of her peers.

Unlike her on-screen character, the uptight and judgmental Marnie Michaels, 28- year- old Williams is immaculate­ly groomed and has a fully functional career, marriage and social life.

“I experience­d my twenties vicariousl­y through Marnie, who I started playing at 22,” she says. “Meanwhile, I was living the life of a much older person. No social life, a dog, husband, same apartment, same job for six years — pretty rare for my generation.”

She doesn’t go so far as to call herself an “old soul” but adds: “Even when I was a child my best friend was a 92- year- old woman. I am traditiona­l: a big note writer, and I like using the phone. There are l ots of things about me that aren’t like the rest of my friends. But I try to learn as much about millennial­s as I can, so I can stay afloat among them.”

It’s a surprising admission for fans of the cult hit comedy written by Williams’s co- star and “voice of a generation” Lena Dunham. But then Williams, whose 2015 wedding was officiated by none other than Tom Hanks, is no ordinary twentysome­thing.

The Connecticu­t- born actress is the daughter of former NBC Nightly News anchor Brian Williams and television producer Jane Stoddard. As a child, she often accompanie­d her parents to showbiz parties: “I got to observe actors and the whole world early, so I didn’t romanticiz­e any of it.”

Her acting breakthrou­gh came when she was still at Yale University and heard that HBO was auditionin­g for a new series. “I’d just taken a class about auditionin­g, so I saw it more as an opportunit­y to put my new knowledge to the test,” she explains. “In no way did I expect to get the part.”

Yet to her delight, Williams was signed up to play Marnie, one of four characters in the gritty comedydram­a often referred to as “the new Sex and the City.” With its unvarnishe­d portrayal of the turbulent sex and working lives of a somewhat narcissist­ic generation, Girls, currently in its sixth and final season, quickly became a cultural phenomenon and won critical acclaim, took a Golden Globe for best comedy, and propelled its young stars to world fame.

Today, the cast is nearer to their 30s, a point at which Dunham felt it appropriat­e to lay her characters to rest. The concluding series sees Marnie enter a new phase of her life, after separating from her husband. The storyline is particular­ly poignant for Williams, who only wed website founder Ricky Van Veen, 36, in September 2015 — the same year Marnie tied the knot.

“I got married as Marnie first and she was the most disastrous bride of all time. I’m delighted to report that by contrast I was very chilled and happy and did it the right way,” she says.

That one of the faces of the millennial generation is married at all — not to mention her Girls character — might seem unusual, with the age for first marriages ever on the rise. In 2011, just 20 per cent of Americans aged 18 to 29 were married, compared with 59 per cent in 1960.

But Williams insists that it does reflect her world. “A good number of my friends are married, which seems very old-fashioned,” she says.

She does not, however, view marriage as a lifechangi­ng experience (“for me it was just a day”), nor does she plan on taking Van Veen’s name, “It seemed so complicate­d, and it didn’t feel like the kind of thing I wanted to do. I think it’s really going out of fashion.”

Her own marriage was officiated by Hanks, something that came about thanks to his wife, Rita Wilson, who plays Marnie’s mother in Girls. Williams and Van Veen asked Wilson to sing at their wedding but also mentioned that they didn’t have anyone with the requisite “gravitas” and “charisma” to conduct the ceremony. Thirty five dollars later, Hanks was ordained. The actor has since joked that he is “for rent,” while Williams gushes “he should marry everyone.”

Divorced Marnie has been less fortunate, but then, it is clear that for all the similariti­es between them — both are pretty, privileged and self-confessed perfection­ists — Williams is nothing like the entitled millennial­s portrayed in Girls. She does have some sympathy for her peers.

“I think that we’re capable of so much, but we’re just probably looking for a bit of direction,” she says. “We’re a very pragmatic generation and used to do doing things as efficientl­y as possible. The interestin­g thing to watch will be as we all mature into positions of power.”

She is keen to keep her political opinions to herself — indeed the topic is off limits during our interview — but she does admit to having attended the recent New York women’s march in support of equality, and is proud to be part of a generation that’s so politicall­y correct they have been labelled “snowflakes” for their delicacy.

“If that means we’re more in t une with t hose who haven’t had a voice, then I can’t see how that’s a bad thing,” she says. “Even if it might disrupt the comfort of people who don’t always take others’ feelings into account.”

That sense of fairness has extended into her own career. Girls is notorious for its realistic sex scenes, complete with nudity, but Williams has always refused to join her costars in stripping off. “It’s just something I never wanted to do,” she explains. “But I have the most sex out of anyone on the show, which is a badge I wear with honour.”

The series has been roundly praised for showing “real bodies,” with Dunham confidentl­y displaying her size 14 figure on screen. Williams, by contrast, is Hollywood slim (“gosh, that’s kind”) and has been criticized for being an unhealthy role model.

Does she think the program’s attitude t owards nudity is helpful to young women?

“I think the most important thing is that they see an array of them,” she says. “It’s a matter of accepting who you are. I was very self- conscious for a while because I went through a metabolic change at 24, and suddenly I was very thin, and everyone was like ‘oh my god, you’re starving yourself.'

“That gives you a complex. You feel bad and start to question everything about your life. But in reality that’s not what happened. It’s very hard to talk about it without sounding like you’re bragging.”

Fans can next see her in her first film role as one half of an interracia­l couple in horror- comedy Get Out. She hopes it will encourage people to see her in a new light — she is often referred to as the “sexy” one in Girls and has been featured in Maxim’s Hot 100 list.

“It’s flattering but I don’t need it,” she says. “The less the better, because then I can change the way I look without anyone freaking out. I’m an actress. That’s what we do.”

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 ?? STARPIX, DAVE ALLOCCA, FILE / THE ASSOCIATED PRESS FILES ?? Allison Williams with her father, TV journalist Brian Williams, at the 2012 premiere of Girls. As a child, she often went with her parents to showbiz parties. “I got to observe the whole world early, so I didn’t romanticiz­e any of it.”
STARPIX, DAVE ALLOCCA, FILE / THE ASSOCIATED PRESS FILES Allison Williams with her father, TV journalist Brian Williams, at the 2012 premiere of Girls. As a child, she often went with her parents to showbiz parties. “I got to observe the whole world early, so I didn’t romanticiz­e any of it.”
 ?? MARK SELIGER / HBO ?? Allison Williams, Jemima Kirke, Lena Dunham and Zosia Mamet in Girls. “I experience­d my twenties vicariousl­y through Marnie,” Williams says.
MARK SELIGER / HBO Allison Williams, Jemima Kirke, Lena Dunham and Zosia Mamet in Girls. “I experience­d my twenties vicariousl­y through Marnie,” Williams says.

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