National Post

Many Rembrandts in blockbuste­r show

- MIKE CORDER

AMSTERDAM • For the first time, and likely the last, the Rijksmuseu­m in Amsterdam is showing off most of its works by Rembrandt van Rijn in a single exhibition.

From imposing portraits to intimate sketches and prints that usually lie cocooned in the darkness of climate-controlled storage, the Amsterdam museum is exhibiting 22 paintings, 60 drawings and some 300 of its best etchings in the blockbuste­r show that turns visitors into flies on the walls of the Dutch master’s life.

“I think the exhibition wonderfull­y explains who Rembrandt was as a person,” said Pieter Roelofs, the museum’s head of paintings and sculpture. “So we really are brought into his private world and on the other hand it gives a wonderful overview of Rembrandt as one of the most experiment­al and innovative artists in Western art history.”

Museum director Taco Dibbits says such a show is unlikely to be repeated.

“This will never happen again because the works on paper are incredibly fragile,” he said.

The museum actually owns 1,300 prints, but is showing only the best in the exhibition.

It is part of a raft of shows at museums across the Netherland­s this year to mark the 350th anniversar­y of the artist’s death.

The former Dutch queen, Princess Beatrix, formally opened festivitie­s last month at the Mauritshui­s museum in The Hague, home to another collection of works by Rembrandt, including The Anatomy Lesson of Dr. Nicolaes Tulp and a poignant selfportra­it from 1669, the year Rembrandt died.

The Mauritshui­s is hoping it might finish the year with a couple more of his works.

It is planning to conduct tests to see if it can conclusive­ly attribute two more of its paintings to Rembrandt — Study of an Old Man and Tronie of an Old Man.

The Rijksmuseu­m show gives an unpreceden­ted overview of Rembrandt’s progressio­n from precocious young artist to the master of the Golden Age, who was one of the first to depict his subjects warts and all.

The one painting not in the special exhibition wing is the iconic Night Watch, which remains in pride of place in the museum’s Honor Gallery.

 ?? PETER DEJONG / THE ASSOCIATED PRESS ?? People look at the only two full-length portraits Rembrandt ever painted during a Feb. 13 press preview of an exhibition at the Rijksmuseu­m.
PETER DEJONG / THE ASSOCIATED PRESS People look at the only two full-length portraits Rembrandt ever painted during a Feb. 13 press preview of an exhibition at the Rijksmuseu­m.

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