National Post (National Edition)

Also, why the Soulpepper Four skipped the police.

CIVIL COURTS ARE THE NEW SHERIFF IN TOWN FOR SEXUAL MISCONDUCT

- EDWARD PRUTSCHI Special to the National Post Edward Prutschi is a criminal lawyer at www.CrimLawCan­ada.com.

Perhaps the most curious aspect of the shocking allegation­s against Soulpepper Theatre actor and founder, Albert Schultz, is how someone accused of being a “serial sexual predator” faces not one iota of criminal jeopardy.

The accusation­s made by the four female plaintiffs of groping and sexual harassment arise from 30 individual incidents alleged to have taken place over a 13-year period starting in 2000. Note the use of the term “plaintiffs” and not the more frequently cited parlance of “complainan­ts.” Despite allegation­s of unwanted sexual touching, no criminal charges of sexual assault have been laid.

This tactical decision to adopt a civil attack strategy in lieu of the traditiona­l police complaint may presage a tectonic shift in how women — and it is almost exclusivel­y women — respond to alleged sexual abusers.

Having watched a litany of complainan­ts flame out under fiery cross-examinatio­n in a criminal courtroom, the shift to the relative privacy of a civil case becomes even more appealing when reviewing the recent history of complaints against high-profile entertaine­rs. The complainan­ts in Jian Ghomeshi’s case were roundly discredite­d in a scathing trial ruling. Even Andrea Constand, who calmly and credibly swatted away hours of withering cross-examinatio­n by lawyers for Bill Cosby, left court at the end of the actor’s case with nothing but a deadlocked jury and a mistrial to show for it. For all her troubles, she will be back for a second round, facing an entirely new defence team, in April.

It is no wonder then that a new breed of alleged victim is paying very close attention to the different burden of proof afforded to civil plaintiffs. While many a criminal case has floundered trying to overcome the standard of proof beyond a reasonable doubt, civil plaintiffs need only prove their case on a balance of probabilit­ies — morelikely-than-not. Civil cases almost never go to trial, dramatical­ly increasing the prospects that these women will see some sort of negotiated settlement rather than the winner-take-it-all conclusion that is more common in criminal cases.

Most appealing for sexual harassment complainan­ts, the civil discovery process virtually assures an opportunit­y to question the defendant about his alleged misdeeds. The vitally important right to silence cloaks only the criminal defendant.

In our post-Harvey Weinstein, #MeToo world, a potential sexual misconduct plaintiff has some interestin­g choices. Quietly file a claim with no fanfare and let the process make its glacial progressio­n through the civil system until a settlement is eked out. Or, go big with a public announceme­nt knowing that the defendant is likely to face an immediate and unremittin­g backlash resulting in widespread humiliatio­n and likely job loss. To be sure, such consequenc­es flow just as fast from being charged criminally, but the civil plaintiff need not even jump the low hurdle of establishi­ng reasonable grounds for the police to lay a charge. All you need is a lawyer willing to take the case.

And therein lies one of the few weaknesses of the civil strategy. Police investigat­e crimes and Crowns prosecute them all without any financial contributi­on from the complainan­t at the centre of the case. A civil plaintiff either needs to reach deep into her wallet or convince a lawyer to assume the risks of taking her case on contingenc­y. Lawyers will only be enticed to accept such arrangemen­ts when there is a deep pocket across the table. Should the plaintiffs push all the way to trial and lose, there can be serious costs consequenc­es, but these hazards are offset by the prospect of substantia­l damage awards should the claim prove victorious.

The tides are shifting. Victims read the papers. They watch the news. They know the courtroom score. When a woman walks into my office and describes a history of sexual harassment and abuse, I will ask one question: How badly do you want to see your abuser behind bars? If the end game is anything but jail, there’s a new sheriff in town and it’s the civil courts.

 ?? TYLER ANDERSON / NATIONAL POST FILES ?? Albert Schultz, founder and artistic director of Soulpepper Theatre, faces a civil suit from four women who opted not to go to police.
TYLER ANDERSON / NATIONAL POST FILES Albert Schultz, founder and artistic director of Soulpepper Theatre, faces a civil suit from four women who opted not to go to police.

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