National Post (National Edition)

The biggest surprise in Oscar Cahén’s life was the time Britain arrested him as an ‘enemy alien’ and imprisoned him. It was a bureaucrat­ic mistake ... It was also one of the more bizarre incidents in Canadian history.

— Robert Fulford

- RobeRt FulFoRd National Post robert.fulford@utoronto.ca

There were plenty of surprises in the life of Oscar Cahén, the much-admired artist. As a newcomer from Europe he surprised the Toronto art community by the way he developed as a painter — developed so well that he helped lead Painters Eleven, the rebellious Toronto group that brought the exuberance of abstract art to Canada in the 1950s.

He also surprised the profession­als when his talent for magazine illustrati­on quickly made him the star contributo­r to Maclean’s magazine. Lightheart­ed illustrati­on became his day job, supporting his more adventurou­s painting.

But the biggest surprise in his life was the time when Britain arrested him as an “enemy alien” and imprisoned him. It was a bureaucrat­ic mistake from which he and many others suffered.

It was also one of the more bizarre incidents in Canadian history.

In the early stages of the Second World War, the British government decided to intern all German males living in Britain, on the grounds that they could be dangerous if Hitler’s troops invaded. So the police, following orders, rounded up hundreds of them.

Cahén, born in Copenhagen, was treated as a German because that was the nationalit­y of his parents. So he found himself headed for a prisoner-of-war camp.

There were many Germans in England but a high proportion of them were also Jews, including Cahén, all doing their best to evade the Jew-hating Nazis.

They found it ironic that they of all people were suspected of an affinity for Hitler’s Germany.

Bureaucrac­y could not be denied. The British arranged to have 80 of their prisoners, including Cahén, crammed into a ship bound for Canada. They were interned in Sherbrooke, Que., in a factory converted to bunk-beds barracks. Their Canadian captors were sympatheti­c and a visiting British official persuaded the Canadian government that the internment was unwarrante­d. They could be released, providing they had a place to go.

Most of them eventually chose to stay in Canada — Emil Fackenheim, philosophe­r and rabbi; Gregory Baum, theologian; Helmut Blume, later head of music at McGill University; Max Stern, Montreal art dealer; Erwin Schild, rabbi at Toronto’s Adath Israel Synagogue.

Some of them remained interned for about three years, out of touch with their families and worried about them. The whole process could have been traumatic, and sometimes it was, but it was also educationa­l.

Eric Koch, later a CBC executive and a prolific author, told an interviewe­r: “It was a hugely important phase in my life. We were together with people who were extraordin­arily erudite and good teachers, and one could spend time with them under conditions that were favourable to learning.” Classes were improvised. Some internees served as teachers, some as students, some as both. Edgar Lion, a 20-year-old engineerin­g student, taught geometry to Peter Oberlander, who later became a renowned architect in Vancouver.

In the 1980s, Koch wrote a book, Deemed Suspect: A Wartime Blunder, describing the causes and effects of this monumental goof.

Jaleen Grove, in her sensitive text for a recent book, Oscar Cahén: Life & Work (Art Canada Institute), explains how he left the barracks earlier than most. A journalist, Beatrice Shapiro (later Fischer), interviewe­d him and made connection­s for him in Montreal. Soon he was working for the Montreal Standard and an advertisin­g firm.

From there he went to Toronto as art editor for Magazine Digest. His illustrati­ons were winning prizes and his paintings were attracting attention.

His career was brilliant, though tragically short.

In 1956, at age 40, he died in a car accident.

The book about him is intended to revive a reputation that’s grown dim.

Sponsored by his son, Michael, and dedicated “This book is for you, Dad,” it’s superbly produced and wonderfull­y complete — a fitting tribute to a talent that flowered briefly, then was suddenly gone.

WE WERE TOGETHER WITH PEOPLE WHO WERE ERUDITE.

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