National Post (National Edition)

The Upside

- Chris Knight

Back in 2011, France released The Intouchabl­es, a buddy comedy in which a rich white quadripleg­ic hires an unqualifie­d black ex-con as a live-in caregiver, and subsequent­ly learns to loosen up, smoke weed and live a little. It was adored by audiences and fretted over by critics; sample think-piece headline: “The Intouchabl­es – Racist Or Cheesy?”

So why not have The Weinstein Co. remake it in English, set it in racially charged present-day America and release it in 2019? This just after the Golden Globe went to the “is-it-racist?” Green Book, while Black Panther and Blackkklan­sman came home empty-handed, and If Beale Street Could Talk was beat out by Bohemian Rhapsody? I mean, what could go wrong?

Turns out quite a bit in director Neil Burger’s adaptation, which closely follows the beats of the original; the biggest addition, aside from a bloated, two-hours-plus running time, is the addition of an ex-wife and son for the character of Dell, played with relative restraint by Kevin Hart. Oh, and Dell steals a book and spends the rest of the movie trying to figure out how to give it back. For this they needed a new screenwrit­er?

Bryan Cranston takes up the role of Phillip, who was paralyzed in a paraglidin­g accident and subsequent­ly lost his wife to cancer. It is suggested, with far less subtlety than in the original, that he hires Dell because he doesn’t care if he lives or dies; an early scene has him explaining his do-not-resuscitat­e order to his new caregiver.

A similar obviousnes­s goes into crafting the characters of Dell and Phillip. One likes opera; the other Aretha. One can quote Yeats; the other falsely claims to know who that is. One considers himself a ladies’ man, in the #Pretoo sense of the word; the other fears intimacy. No points for guessing who’s who here.

For all its racially charged setup, The Upside doesn’t completely crash and burn, mostly thanks to Cranston’s and Hart’s efforts to dance around the worst of their characters’ clichés. Phillip’s world includes thinly sketched employees played by Nicole Kidman (as his executive assistant), Suzanne Savoy (the cook) and Julianna Margulies (physical therapist), while Dell spars with ex-wife Latrice (Aja Naomi King). There’s also Tate Donovan, wasted in the role of Phillip’s grumpy neighbour.

There’s a real Phillip, Philippe Pozzo di Borgo, son of a French duke who hired ex-con Abdel Sellou in the ’90s; the two remain friend. So The Upside is based on a true story but also on a previous movie, which involves quite a drift from the truth. A 2003 hour-long doc, À la vie, à la mort, tells their tale, but I’d recommend The Intouchabl­es. Sure, you’ve got to track it down and it’s got subtitles, but that’s the message The Upside is clumsily peddling: Vive la différence! ∏∏ The Upside opens across Canada on Jan. 11.

Newspapers in English

Newspapers from Canada