Tender and tragic in life as in song
Friends praise George Jones as ‘greatest voice’ in country music
NASHVILLE George Jones, the peerless, hard-living country singer who recorded dozens of hits about good times and regrets and peaked with the heartbreaking classic He Stopped Loving Her Today, has died. He was 81.
Jones died Friday at Vanderbilt University Medical Center in Nashville, said his publicist Kirt Webster. Jones had been hospitalized with fever and irregular blood pressure, forcing him to postpone two shows.
With one of the most golden voices of any genre, a clenched, precise, profoundly expressive baritone, Jones had No. 1 songs in five separate decades, 1950s to 1990s. He was idolized not just by fellow country artists, but by Frank Sinatra, Pete Townshend, Elvis Costello, James Taylor and countless others.
“If we all could sound like we wanted to, we’d all sound like George Jones,” Waylon Jennings once sang. As word of his death spread Friday morning, his peers paid tribute.
“The greatest voice to ever grace country music will never die,” Garth Brooks said in an email to The Associated Press. “Jones has a place in every heart that ever loved any kind of music.”
Ronnie Dunn said: “The greatest country blues singer to ever live.”
In a career that lasted more than 50 years, the man nicknamed “Possum” evolved from young honky-tonker to elder statesman as he recorded more than 150 albums and became the champion and symbol of traditional country music, a well-lined link to his hero, Hank Williams.
Jones survived long battles with alcoholism and drug addiction, brawls, accidents and close encounters with death, including bypass surgery and a tour bus crash that he avoided only by deciding at the last moment to take a plane.
His failure to appear for concerts left him with the nickname “No Show Jones,” and he later recorded a song by that name and often opened his shows by singing it.
His wild life was revealed in song and in his handsome, troubled face, with its dark, deep-set eyes and dimpled chin. In song, he was rowdy and regretful, tender and tragic. His hits included the sentimental Who’s Gonna Fill Their Shoes, the foot-tapping The Race is On, the foot-stomping I Don’t Need Your Rockin’ Chair, the melancholy She Thinks I Still Care, the rockin’ White Lightning, and the barfly lament Still Doing Time.
Jones also recorded several duets with Tammy Wynette, his wife for six years, including Golden Ring, Near You, Southern California and We’re Gonna Hold On. He also sang with such peers as Willie Nelson and Merle Haggard and with Costello and other rock performers.
But his signature song was He Stopped Loving Her Today, a weeper among weepers about a man who carries his love for a woman to his grave. The 1980 ballad, which Jones was sure would never be a hit, often appears on surveys as the most popular country song of all time.
Jones won Grammy Awards in 1981 for He Stopped Loving Her Today and in 1999 for Choices. He was elected to the Country Music Hall of Fame in 1992 and in 2008 was among the artists honoured in Washington at the Kennedy Center.
Jones continued to make appearances and put out records, though his hit records declined.
“I don’t want to completely quit because I don’t know what to do with myself,” he said in 2005. “I’ll be out there as long as the people want me to be out there.”
He was in the midst of a year-long farewell tour when he died. He was scheduled to complete the tour in November with an all-star packed tribute in Nashville.
Jones was a purist who lamented the transformation of country music from the family feeling of the 1950s to the hit factory of the early 21st century. He was so caught up in country, old country, that when a record company executive suggested he record with James Taylor, Jones insisted he had never heard of the million-selling singersongwriter.
Jones was equally unimpressed when told Neil Young had come to visit backstage and declined to see him, saying he didn’t know who he was. He did listen to the Rolling Stones, only because of the guitar playing of Keith Richards, a country fan who would eventually record with Jones.
Asked what he thought about Carrie Underwood, Taylor Swift and other young stars, Jones said they were good but they weren’t making traditional country music.
“What they need to do really, I think,” he said, “is find their own title.”
In 1991, country star Alan Jackson dedicated his hit song Don’t Rock the Jukebox to Jones, asking in the song that country music remain faithful to the Jones style instead of drifting toward rock ’n’ roll.
George Glenn Jones was born Sept. 12, 1931, in a log house near the east Texas town of Saratoga, the youngest of eight children. He sang in church and at age 11 began performing for tips on the streets of Beaumont, Texas.
His first outing was such a success that listeners tossed him coins, placed a cup by his side and filled it with money. Jones estimated he made more than $24 for his twohour performance, enough to feed his family for a week, but he used up the cash at a local arcade.
“That was my first time to earn money for singing and my first time to blow it afterward,” he recalled in I Lived to Tell it All, a painfully selfcritical memoir published in 1996.
“It started what almost became a lifetime trend.”
The family lived in a government-subsidized housing project, and his father, a labourer, was an alcoholic who would rouse the children from bed in the middle of the night to sing for him. His father also noted that young George liked music and bought him a Gene Autry guitar, with a horse and lariat on the front, on which Jones practised obsessively.
Jones got his start on radio with husband and wife team Eddie & Pearl in the late 1940s. Hank Williams once dropped by the studio to promote a new record, and Jones was invited to back him on guitar.
When it came time to play, he froze.
“Hank had Wedding Bells out at the time,” Jones recalled in a 2003 interview. “He started singing it, and I never hit the first note the whole song. I just stared.”
He had his first hit with Why Baby Why in 1955 — but in 1980 a three-minute song changed his life. His longtime producer, Billy Sherrill, recommended he record He Stopped Loving Her Today, a ballad by Curly Putnam and Bobby Braddock. Jones was convinced the song was too “morbid” to catch on. But it became an instant standard and essentially canonized him. His concert fee jumped to $25,000 a show from $2,500.
“There is a God,” he recalled.