Ottawa Citizen

A MONUMENTAL CONTROVERS­Y

How plans for a memorial went awry

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In the summer of 2007, Jason Kenney was touring Masaryktow­n, a private nine-hectare park in Scarboroug­h owned by Toronto’s Czech and Slovak communitie­s. Kenney, named to cabinet as secretary of state for multicultu­ralism earlier that year, was walking with Pavel Vosalik, then the Czech ambassador to Canada, when the two came across a monument on the park’s grounds.

Titled Crucified Again, the monument depicts a tortured man crucified on a hammer and sickle, a stark symbol of Soviet oppression. It had been unveiled in 1989 to honour the millions who suffered or died at the hands of communist regimes throughout the world.

When Kenney saw the statue, his first thought was that it should be in a public park in Toronto where more people could see it, Vosalik recalls. The ambassador reminded Kenney that Ottawa, not Toronto, was Canada’s capital. “That’s the moment we started to talk about some place where the victims of communism could be commemorat­ed in Ottawa,” Vosalik says.

Since that day in Masaryktow­n, the saga of the Memorial to the Victims of Communism has followed a winding and often secretive path en route to becoming the capital’s most contentiou­s new landmark.

Immersed in politics from birth, the project has struggled to raise money from the eight million Canadians who proponents say can trace their lineage to communist countries. It has been assigned three different sites — two announced publicly and one emphatical­ly not — and has provoked strong opposition to its size, design and prime location on Wellington Street. The Citizen set out to tell its story, relying on documents and interviews — both on the record and off — with people knowledgea­ble about the project’s history.

One of those is Zuzana Hahn, a Toronto artist of Czechoslov­ak heritage. Weeks after his walk through the park with Kenney, Vosalik approached Hahn to advise her of the government’s interest in commemorat­ing victims of communism. When she expressed enthusiasm, Vosalik invited her to Ottawa to meet with Kenney and his staff.

They told her the government couldn’t “spearhead” the project, but would support the idea if there was sufficient interest in different ethnic communitie­s. Hahn was OK with that. “I did not want this to become the pet project of the Conservati­ve government,” she says.

In January 2008, Hahn and Josef Cermak, then president of Sokol Canada, a youth sports organizati­on, formed a group backed by a coalition of ethnic communitie­s to advocate for a memorial to communism’s victims. It became known as the Open Book Group, a name derived from a design Hahn had created for the memorial.

Kenney attended a meeting with Hahn’s group at the Polish Community Centre in Toronto in February 2008. “I think that was the highlight of my experience,” Hahn says. “I thought, ‘people can really pull together.’”

Along the way, Hahn recruited Charlie Coffey as her group’s honorary chair. Coffey, who had just retired as the Royal Bank’s vicepresid­ent of government affairs, is an Order of Canada recipient who had chaired the advisory council for the Canadian Museum of Human Rights in Winnipeg. He is also a high-profile supporter of the Liberal party — not an asset in Stephen Harper’s Ottawa.

Coffey says Hahn was “a very well-meaning person” with great ideas for the project. “But she needed a bit of help navigating the small-p politics amongst the ethnic groups and the big-P politics in Ottawa.”

In those early months, Hahn was in regular contact with Kenney’s office, particular­ly with his chief of staff, Tenzin Khangsar, who emailed her the National Capital Commission’s guidelines for commemorat­ions and advised the group to submit its proposal. In April 2008, she presented Kenney and his staff with a formal submission to the NCC.

That summer, Kenney’s staff organized a meeting in Toronto about the memorial project, attended by a wide range of interested people, including Hahn. “The upshot of it was they said, ‘We’re going to put together a group of people who are going to lead this project forward,’” Hahn says. Kenney’s staff invited those who were interested to submit their resumés.

Hahn sent along her name and those of other supporters, but heard nothing further. She later learned that a new group, called Tribute to Liberty, had been formed that August without her knowledge. Not only that, it had already submitted a proposal to the NCC. “I thought, ‘Bloody hell!’” Hahn says. “I was really, really upset.”

It has been assigned three different sites and has provoked opposition to its size, design and prime location on Wellington Street.

Hahn scrambled her team and put together a competing proposal, which she submitted to the NCC. The agency indicated it would likely support a commemorat­ion if the two groups merged. They agreed to work together and submitted a joint proposal in June in Tribute to Liberty’s name, with the Open Book Group listed as “founding partner.”

But it didn’t take long for the partnershi­p to unravel. Hahn says Tribute to Liberty ignored most of her group’s suggestion­s. “Eventually, they started ignoring us altogether. They basically cut us out of it.”

Coffey had become Tribute to Liberty’s honorary chair after the groups merged. But he soon resigned, dismayed by the treatment of Hahn and by what he perceived as the project’s politiciza­tion. “It started out as a very non-partisan group,” he says, “and suddenly was becoming very partisan. All those involved were friendly to the governing party.”

Certainly Tribute to Liberty didn’t lack for connection­s to the Conservati­ve party. Philip Leong, a Macau-born banker who was Tribute to Liberty’s founding chair and honorary patron, is a friend of Kenney and an admirer of Stephen Harper, who he calls a “great leader.” Leong ran unsuccessf­ully for the Canadian Alliance, one of the precursors of the current Conservati­ve party, in the 2000 federal election.

Alide Forstmanis, who soon became Tribute to Liberty’s chair and remains its treasurer, had been president of the Latvian National Federation in Canada. She was also a longtime Conservati­ve who ran unsuccessf­ully for the party nomination in Kitchener-Waterloo riding in 2007. Another early director, Wladyslaw Lizon — then president of the Canadian Polish Congress — was elected as a Tory MP in Mississaug­a East-Cooksville in 2011.

From Leong’s perspectiv­e, Tribute to Liberty was the best vehicle to move the memorial project forward. It included a wider diversity of ethnic groups, a more unified voice, a stronger board and was “connected to the government’s direction,” he says. “That doesn’t mean Tribute to Liberty was competing or excluding other people.”

The NCC’s board approved the general concept of a commemorat­ion to victims of communism in September 2009. But the directors suggested modifying the title “to be more inclusive of those who have suffered under oppressive regimes in general.”

That was a non-starter for Tribute to Liberty, which wouldn’t agree to any change that would lessen the significan­ce of the monument as a memorial to victims of communism. The NCC and Tribute to Liberty ultimately settled on calling it “A Monument to Victims of Totalitari­an Communism: Canada, A Land of Refuge.” (Since then, the monument has become a memorial and “totalitari­an” has vanished entirely from the title.)

The following summer, the NCC allocated a site for the memorial at the Garden of the Provinces on Wellington Street near LeBreton Flats. In Tribute to Liberty’s summer 2010 newsletter, Forstmanis waxed lyrical about the serenity and beauty of the site and its symbolic links to the Supreme Court of Canada building to the east and the Canadian War Museum to the west. Even Kenney issued a statement calling the chosen site “a fitting location.”

But not everyone was satisfied, it would seem. Some time after the NCC announceme­nt, the memorial was shifted to a new location across from the war museum — the site now allotted for the new National Holocaust Monument, another favoured project of the Conservati­ve government.

Exactly why that happened is unclear, but a 2009 story in the National Post suggests one possible explanatio­n. The story quotes from a letter Stephen Harper sent to Kenney in 2008. In it, the prime minister warmly endorsed the idea of the monument and suggested that it belonged near the war museum.

Whatever the explanatio­n, Tribute to Liberty was more than happy with the new site. It was much bigger than the Garden of the Provinces location, Forstmanis says, and it was a good fit thematical­ly with the war museum. But the memorial’s itinerant wanderings weren’t over yet.

According to Forstmanis and other knowledgea­ble sources, the sponsors of the National Holocaust Monument were originally offered the Wellington Street site between the Supreme Court of Canada and Library and Archives Canada now allocated to the victims of communism memorial.

But the Holocaust memorial’s developmen­t council rejected the site, apparently because Scott Paper’s large smokestack across the Ottawa River in Gatineau was clearly visible, belching smoke, in the background. Some council members evidently felt that was an inappropri­ate setting for a monument to Holocaust victims.

Consequent­ly, the government shifted the victims of communism memorial to the site near the Supreme Court in May of 2012 and transferre­d the Holocaust memorial to the war museum site. “We actually accommodat­ed their wishes, and now we’re getting the flak,” says Forstmanis.

Asked about the site switch, Rabbi Daniel Friedman, chair of the Holocaust monument’s developmen­t council, said only that former cabinet minister John Baird ultimately decided where the monument should go.

 ??  ABSTRAKT STUDIO ARCHITECTU­RE ?? Voytek Gorczynski, head of the design team for the Memorial to the Victims of Communism, says he didn’t anticipate the controvers­y over the project. But he regards some of the criticism of the memorial’s ‘visceral and brutalist’ design as a compliment....
 ABSTRAKT STUDIO ARCHITECTU­RE Voytek Gorczynski, head of the design team for the Memorial to the Victims of Communism, says he didn’t anticipate the controvers­y over the project. But he regards some of the criticism of the memorial’s ‘visceral and brutalist’ design as a compliment....
 ??  ??
 ??  COLE GARSIDE/OTTAWA CITIZEN ?? Toronto artist Zuzana Hahn, an early backer of the memorial, says the fact that the it has become ‘a hated thing’ for some people is painful. ‘It wasn’t meant to be like that,’ she says. ‘It was meant to be an inspiratio­n.’
 COLE GARSIDE/OTTAWA CITIZEN Toronto artist Zuzana Hahn, an early backer of the memorial, says the fact that the it has become ‘a hated thing’ for some people is painful. ‘It wasn’t meant to be like that,’ she says. ‘It was meant to be an inspiratio­n.’

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