Ottawa Citizen

Roberts rejects directing

- CHRIS KNIGHT cknight@postmedia.com twitter.com/chrisknigh­tfilm

In Money Monster, Julia Roberts stars with one actor-turned-director (George Clooney) and was directed by another (Jodie Foster).

So it would not be surprising if the bug had bitten her, too.

“I consider it hugely compliment­ary that people ask me if I want to be a director,” she said at the Cannes Film Festival on Thursday, following the world première of Money Monster. “But I do not.”

She continued: “I know my intellectu­al limitation­s, and I know the limitation­s of my patience ... It’s something, like playing a cello or painting, that I envy and I hope in another lifetime I might be drawn to, but I think in this life I just want to admire it from a small distance and be glad when my capabiliti­es come into the orbit of a director that I just live to serve and impress.”

Ironically, Roberts plays a director whose TV investment show is interrupte­d when a disgruntle­d investor (Jack O’Connell) takes the host (Clooney) hostage, demanding answers to why a supposedly safe stock just tanked.

Clooney signed on to Money Monster before Roberts and said: “We didn’t think we’d get Julia to do it.” He sent the script to his Ocean’s Eleven co-star, expecting the answer no. “We’re still waiting for that no, so we can get on with it.”

On the joys and travails of working with another actor-director, Foster was unequivoca­l. “There’s nothing luckier,” she said. “It’s easier to have a dialogue with somebody’s who’s been in the fire and who understand­s how to translate the text to the screen.”

Clooney added: “Jodie’s not just an incredibly talented director; she’s an incredibly talented actress. She also understand­s how to talk to actors. Most of the time directors are very result-oriented. They’ll just say, ‘I need this reaction by the end of this scene.’ That doesn’t necessaril­y work very well with actors. Jodie’s very good about creating a very safe place for people to try things, like really bad dancing” — a reference to some soft-shoe Clooney performs in the film.

O’Connell, whose first acting credit dates to when he was 15, managed to keep a straight face as he talked about learning that he would be directed by Foster, and get to hold Clooney and Roberts hostage with a gun and a bomb vest. “I thought that was well within my capabiliti­es.”

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Julia Roberts

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