Ottawa Citizen

TURN TABLES ON HOSTING FEARS

Create a dazzling party experience

-

If you were invited to dinner at artist and fashion illustrato­r Cathy Graham’s Upper East Side townhouse, you’d no doubt be making mental notes as to what ideas you could steal for your next dinner party.

The invitation was handmade, the place cards whimsicall­y decorated and the tables blooming with her signature “floral landscapes” scattered throughout, single cut blossoms in tiny vintage bottles she finds mostly on eBay. Look closely around the table and you’ll probably find treasures hidden among the blooms meant to loosen up the most serious invitee: a real carrot, a puppet’s head or a dollhouse-scale can of Ajax. (Graham collects miniatures.)

Graham’s original entertaini­ng style is explored in the justpublis­hed book Second Bloom: Cathy Graham’s Art of the Table by Alexis Clark.

Graham, a graduate of the Rhode Island School of Design with a BFA in painting, also attended Parsons in New York, where she studied fashion illustrati­on. For about 10 years, she worked on and off with Robert Isabell, the legendary special events planner and floral designer who mastermind­ed high-profile events such as the Metropolit­an Museum Costume Institute gala and Kennedy weddings and funerals. Graham met him in 1987 when Isabell organized the glamorous, 600-guest 70th birthday party for Katharine Graham, then her motherin-law and the Washington Post Co. chairman.

Assisting Isabell, Cathy Graham learned how to stage a great party. “He taught me that it’s not just about the table; you have to consider the entire room, the colours of the walls, the lighting, the smell of the flowers, all the senses. He had this amazing ability to create these magical environmen­ts. I started expressing myself more with flowers in a more relaxed way,” she says.

Graham delights in planning her own parties, and has used her watercolou­rs of botanicals to decorate candle shades and wrap votive candle holders. She is currently designing paper goods, scented candles and pyjamas. I spoke to Graham about her thoughts on entertaini­ng.

Q What’s something you can do quickly to make your table stand out?

A Take a bowl or basket and pick out beautiful peaches, apples or nectarines. Buy some lemon leaves at a florist shop and just place those between the fruits. If you have a big bowl, put rolledup newspapers as a first layer so you don’t need as much fruit.

Q Place cards seem so formal. Are they OK for a casual dinner?

A I think place cards are always great. I buy Crane’s plain white or ecru cards. In the summer, I might paint them with little shells or flowers. Mine aren’t formal at all, since my handwritin­g looks like I am six years old, and I use coloured pencils to write the names of my guests. I personally appreciate knowing where I should sit at a party, and I think my guests do, too.

Q Where do you find such a variety of bottles and vases for your floral landscapes?

A I get 90 per cent of my bottles from eBay, and the rest are from Pier 1. I look for old medicine bottles or tiny perfume bottles. I love aqua or green glass. Some cost just a few dollars; most are under $10. The wonderful thing about them is that you focus on that one flower. It creates a spread-out arrangemen­t, and you use fewer flowers.

Q You like to plot out your evenings in time chunks and are a believer in a short cocktail hour — only half an hour. Why?

A I like timing out the evening. Half an hour or 40 minutes seems enough time for people to arrive and have a drink and talk. Then I invite them to the table, because I like to get to the meal itself. Of course, someone is often late, and sometimes the plan doesn’t work.

Q As the host, should you always give a toast?

A Before dessert, I like to give a little welcome at the table that simply says, “Thanks for coming out tonight.” It’s a very simple message, but it’s important to do it.

Q What other entertaini­ng tips do you have?

A Keep your cellphone handy while you are getting ready. Sometimes people can’t find your address, or they call or text to cancel when their babysitter doesn’t show up. Or they may call to check the date or time. If someone cancels, it’s important to remove their chair and place setting. Don’t just leave an empty chair at the table.

Q What did you learn about entertaini­ng from Katharine Graham?

A Nobody did it better than she did. Her dining room was warm and inviting. Of course, it was a different time.

For her, flowers were not the focus; it was the food and the conversati­on. She would often have someone do her flowers, but sometimes she would have a big soup tureen in the middle of the table with her beautiful silver and china. After the first course, she would personally direct the conversati­on to a topic, and she wanted to hear from everyone about it. She had amazing guests. I used to be intimidate­d by this and was horrified that when they came around to ask my opinion on, say, perestroik­a, that I would not know what to say.

Q What would be your list of ingredient­s for a good dinner party?

A For me, it would be the flowers, the guests and, somewhere down the line, the food. For me, the ambience, lots of candles and getting people together is what it’s all about. There is something cosy about entertaini­ng at home. I always tell people don’t be afraid. It’s fun.

 ??  ??
 ?? QUENTIN BACON ?? New York artist and fashion illustrato­r Cathy Graham is the subject of a new book on entertaini­ng. In this photo from the book, the dining table in Graham’s Manhattan townhouse is set with her signature “still life” of individual blooms in tiny...
QUENTIN BACON New York artist and fashion illustrato­r Cathy Graham is the subject of a new book on entertaini­ng. In this photo from the book, the dining table in Graham’s Manhattan townhouse is set with her signature “still life” of individual blooms in tiny...
 ??  ??

Newspapers in English

Newspapers from Canada