Solid plot helps debut
See Her Run Peggy Townsend Thomas & Mercer
Journalist Peggy Townsend’s superb debut delivers an intense character study of a woman whose public humiliation after losing her job has left her unemployable and nearly broke, and has triggered personal demons she thought she he’d conquered.
See Her Run introduces former investigative reporter Aloa Snow, who lost her job at the Los Angeles Times because she invented a source for a story on Vietnamese nail salon workers. The story illustrated the poor working conditions and abuse that workers encounter.
But the fictional source tainted the article and left Aloa a pariah in journalism. Now she’s living in her deceased grandmother’s San Francisco house, which she may lose because she can barely afford the taxes, and coping with the anorexia she thought she had conquered. Her only friends are the couple who own the local bar.
She doesn’t want — but desperately needs — a job offer from software designer and philanthropist Michael Collins, whom she hasn’t seen in more than 18 years. He offers Aloa a high salary to investigate the apparent suicide of adventure runner Hayley Poole, who died during a camping trip in the desert. The story would be for Novo, an independent newsroom founded by Michael.
Despite the animosity she harbours for Michael because of their past, Aloa senses a good story, the chance to bring some justice to Hayley and redemption for herself. The investigation leads Aloa to the world of competitive sports and corporate intrigue.
Aloa receives unexpected help from a group of elderly “anarchists and rebels” who had their heyday during the 1960s and ’70s and now spend each evening at the local bar squabbling. Nicknamed “the Brain Farm,” the men not only prove to be formidable investigators, they also are revived by the chance to prove their skills are still viable. They also lend a bit of humour as the men educate themselves about social media.
Townsend’s sophisticated plotting and affinity for character development elevate See Her Run. Aloa’s mistake railroaded her life and left her adrift. The story allows her to tap into her journalism skills again and prove herself to others and, most of all, to herself.