MOURNING THE ‘QUEEN’
Crowds pay their respects
The regal presence Aretha Franklin exuded in life was captured at her viewing on Tuesday, with the late Queen of Soul in a gold-plated casket dressed completely in red, including high-heeled pumps, proving, as one person put it, that she was a “diva to the end.”
As Franklin’s powerful vocals from classic gospel performances were piped through the Charles H. Wright Museum of African American History in Detroit, the Rock and Roll Hall of Famer looked as if she was preparing for one more performance. She wore earrings, red lipstick and red nail polish, and her hair was cut short. Her dress — with its ornamental elements and sheer netting fabric — was reminiscent of an outfit she would wear onstage and “something she would have selected for herself,” her niece, Sabrina Owens, said.
Mourners poured into the museum to pay their final respects to Franklin, who died Aug. 16 of pancreatic cancer at the age of 76. The two-day viewing was part of a week of commemorations for the legend, who will be laid to rest on Friday.
The Wright Museum is a cultural landmark in Detroit, where Franklin grew up and spent most of her life. Museum board member Kelly Major Green said the goal was to create a dignified and respectful environment akin to a church, the place where Franklin got her start.
“What we wanted to do is be reflective of the queen,” Green said. “It’s beautiful. She’s beautiful.”
Green said Franklin’s attire and pose, with her legs crossed at the ankles, communicated both power and comfort, as she did in life. The shoes, in particular, show “The Queen of Soul is diva to the end,” Green said.
Fans strolled by the casket, some in tears; one woman blew a kiss to Franklin, who was surrounded by massive arrangements of roses of different hues.
Tammy Gibson, 49, of Chicago said she arrived about 5:30 a.m. She came alone but made fast friends with others who sang and reminisced.
Growing up, Gibson said she heard Franklin’s music “playing all the time” by her parents, who “told me to go to bed — it’s an adult party.”
Outside the museum, she said: “I know people are sad, but it’s just celebrating — people dancing and singing her music.” Indeed, a group of women were singing her hit “Freeway of Love.”
The roses that surround the casket, Owens said, reflected her love for the flower and her propensity to send arrangements “in grand fashion.”
Franklin was dressed in red, symbolic of her membership in the Delta Sigma Theta Sorority.
The setting for the viewings could not be more fitting, according to Paula Marie Seniors, an associate professor of Africana studies at Virginia Tech.
“I think it’s incredibly significant — she is being honoured almost like a queen at one of the most important black museums in the United States,” said Seniors.
The Queen of Soul, Seniors said, was “a singer of the universe.” Yet she added that Franklin also was “so unapologetically black — she was so proud of being a black woman.”
Linda Swanson, whose funeral home is handling services for Franklin, said the singer had covered the funeral expenses of many needy families over the years.
“It was nothing for Miss Franklin to call us,” she said. “She would take care of the expenses — and usually in full without being asked or prompted to do so. Many of the people you see are here because they were blessed by her big heart and her desire to reach beyond the boundaries of her own success and touch others.”
Owens stressed that the viewing and other events could not happen without a group she calls “Aretha’s angels.” Franklin never spoke about her wishes, Owens said, but she hopes the services are what “she would have wanted and that she would have been proud of.”