Ottawa Magazine

DRINK Natural wine

Naturally made wine is here, but decipherin­g what that is requires some education. Marcus Gilliam explores the definition, the difference, and the draw of natural wine

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You’ve seen it on toothpaste, peanut butter, and ice cream. Now get ready to see it on wine labels and requested at esteemed wine bars. While the term natural wine has been used in France since the 1970s, Europe is always a decade or two ahead of North America. Savvy shoppers on this side of the pond will begin to notice natural on an increasing number of bottles, but trying to decipher exactly what differenti­ates natural from convention­al wines isn’t easy.

That is because — unlike organic and biodynamic wines — natural wines do not have official certificat­ion. As such, some wineries that produce natural wines aren’t marketing their product as natural.

Having no single touchstone can create confusion. What is natural to you might not be considered natural to the person who sold it to you or to the winemaker who crafted it. But there is a shared notion of what natural wines are all about. Put briefly, natural wines are unadultera­ted and therefore, some argue, expressive in a way that convention­al wines are not.

The principles that guide natural winemaking include the use of naturally occurring yeasts (also called wild or indigenous yeasts) to ferment the grapes, avoidance of exposure to new oak barrels, and reduction (or even eliminatio­n) of added sulphur.

These principles contrast with convention­al winemaking techniques that use industrial aromatic yeasts and new oak to impart qualities that have little to do with the vineyard or the grapes. Plus, convention­al wines also might overdo the addition of sulphur in order to extend the shelf life of the wine.

Like the Tropicana orange juice for which consumers pay top dollar, natural wines often promise a “nothing added, nothing taken away” product. And the purity of a natural wine has appeal — especially as wine drinkers learn that some winemakers remove alcohol, add egg by-products, and use colouring agents. In summary, you could say natural wines demonstrat­e a non-interventi­onist approach.

While this method can challenge local winemakers who work in a severe cold-climate wine region, some wines from Ontario fit the natural bill.

This spring, Pearl Morissette Estate Winery in the Niagara Peninsula started selling — and virtually selling out of — a naturally made riesling. At the same time, Paul Pender at Tawse Winery in Niagara was bottling and shipping his first naturally made chardonnay to bars and restaurant­s.

Many believe in the benefits of producing natural wine even in a region such as Ontario, where the climate generally requires a hands-on approach.

“It seems like Prince Edward County could very well lead the industry in that direction,” says Alice Feiring, a New York-based wine critic and author who advocates natural winemaking methods. Her book Naked Wine: Letting Grapes Do What Comes Naturally has been translated into French, Italian, and Georgian.

Feiring points to long-time PEC winemaker Geoff Heinricks, who is known for his work at Keint-He Winery and Vineyard and is a regional leader in the natural-wine movement. And Norman Hardie, she says, has had huge success by incorporat­ing natural approaches to his winemaking operations. The wines crafted by Heinricks and Hardie prove that natural wine has broad appeal.

“Few, if any, who get used to natural wines can go back to convention­al. Drinkers will progress from c’est naturel, c’est bon and start being more discerning,” Feiring says.

Looking farther afield, the Beaujolais and Sicilian wine regions make France and Italy leaders in the

“Natural wines ... are usually more fruit-forward and more flowery. And they maintain a very nice fresh crunchines­s on the palate. They’re juicy.”

Mathieu Guillemett­e, manager and sommelier at Soif

natural movement. But Beaujolais and Sicily also make heaps of wine, and a lot is heavily processed. The fact remains that wine made according to natural philosophi­es is still a tiny portion of the market.

“The idea of wine being made only from grapes is largely a myth, because it represents perhaps one to three percent of wines being made worldwide,” says François Morissette, winemaker at Pearl Morissette and a former Montreal sommelier. He was drawn to new developmen­ts in France, such as natural winemaking, long before the natural-wine buzz grew.

“Today the natural wine category has redefined itself in a less dogmatic way. The demon is not the sulphur; the demon is what is not being disclosed because we don’t have ingredient lists on our labels.”

But Morissette knows that if wine labels were suddenly required to include ingredient­s, his wines would make the natural grade. That’s because additives are so minimal in Pearl Morissette wines.

While that kind of labelling may never be enforced under Canadian Food and Drug Regulation­s’ Standard of Identity, which exempts wine from listing ingredient­s, it is equally unlikely that natural wines will be certified as such anytime soon. The Liquor Control Board of Ontario states that federal regulation­s prohibit the use of the word natural.

According to the LCBO, the regulation­s “restrict the use of the term natural to ingredient­s or flavouring­s, or to products that are truly natural, e.g., honey.” (Though as of 2012, the LCBO makes an exception for allergens such as eggs if the wine is not filtered prior to bottling.) Furthermor­e, “LCBO has no current plans to categorize wines as ‘natural’ in any way.”

That said, you can still walk into an Ottawa wine bar, ask for a natural wine, and actually get natural wine. It may taste like honey, or it may taste like something else — something you’ve never tasted before.

Except for maybe a little bit of sodium dioxide (sulphur, or what those “contains sulphites” stickers allude to) that is added before the finished wine is bottled — to make it more stable and less likely to oxidize undesirabl­y — these wines are indeed within the ranks of the natural movement.

Few people in the Ottawa area serve natural wines more than Mathieu Guillemett­e, manager and sommelier at Soif. The Gatineau wine bar owned by award-winning sommelier Véronique Rivest opened last fall and has been featuring dozens of privately imported natural wines.

“It does surprise our clientele to a degree when they drink a natural wine for the first time, because they are used to what they are trying or tasting at home,” says Guillemett­e.

But what is the difference? Natural wines will vary as all convention­al wines vary, so generalizi­ng is risky. But Guillemett­e notes some characteri­stics.

“The aromatics can be quite different in a natural wine. Natural wines tend to have more of a volatile nose — not volatile as in ‘this smells like varnish’ but more like the aromas carry themselves differentl­y. They are usually more fruit-forward and more flowery. And they maintain a very nice fresh crunchines­s on the palate. They’re juicy,” says Guillemett­e.

He adds that customers often come in aware of organic wine, but natural wine is still largely unknown.

The situation isn’t that different across the river in Ontario. At Supply & Demand, Phil Kelsey prepares the wine list and serves wine to customers. He says he hears little or no talk at his tables about natural wine, but that could be because some producers don’t describe their wines as natural even though they may be.

So restaurant patrons aren’t asking for natural wines even though the wine they ordered might be made using natural techniques. For instance, cabernet franc from Pearl Morissette is not described as natural — on the wine list or the bottle — but Morissette insists it is natural.

But as more natural wines are made and become available, this will change. It’s inevitable that wine drinkers will start talking about these wines and pick up on the term natural — as readily as they pick up on its distinctiv­e charms. Marcus Gilliam is a wine writer who has a hard time letting his wine age. He tweets at @weingolb.

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