Penticton Herald

‘Baby, It’s Cold Outside’ pulled from some Canadian radio stations

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TORONTO — “Baby, It’s Cold Outside” is getting a chilly response from Canadian radio stations.

CBC Radio said Tuesday it’s joining at least two other broadcaste­rs in the country, Rogers Media and Bell Media, in pulling the controvers­ial Christmas favourite out of their rotations this year.

The move comes as the duet, written back in 1944, faces renewed scrutiny over what some say are inappropri­ate lyrics in the wake of the #MeToo movement.

CBC spokeswoma­n Nicola Makoway said the public broadcaste­r would remove the song at midnight Tuesday with “no plans to play it going forward.”

Earlier this week, Cleveland radio station WDOK-FM announced it would no longer play the song in response to listener feedback. Some took issue with lyrics where one singer is trying to persuade the other to stay inside, with exchanges that include, “What’s in this drink?” and “Baby, don’t hold out.”

Bell Media spokesman Scott Henderson said the company, which runs two 24-hour Christmas stations in Vancouver and Ottawa, chose not to include the Christmas tune on its playlists this year.

“The song wasn’t scheduled for airplay on any Bell Media Radio stations and there are no plans to play it in the future,” he said in an emailed statement.

Rogers Media also runs a number of allChristm­as music stations, including 98.1 CHFI-FM in Toronto and 98.5 CIOC-FM in Victoria. Spokeswoma­n Caitlin Decarie said the broadcaste­r also removed the song this year, but declined to outline how it reached the decision.

“There are so many wonderful songs that celebrate the holiday season,” she said.

“Baby, It’s Cold Outside” has been considered a holiday classic ever since it won the Academy Award for best original song in the film “Neptune’s Daughter.”

It’s since been covered countless times by singers including Ray Charles and Betty Carter, Idina Menzel and Michael Buble, as well as Dolly Parton and Rod Stewart.

Concern over the song has existed for years, leading to many reinterpre­tations of the lyrics.

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