Regina Leader-Post

Historical events are often shrouded in mystery

- GORDON GERRARD

One of the realities of my line of work is spending a lot of time thinking about dead people.

I don’t mind. I find it quite interestin­g to try to piece together a picture of the personalit­ies of these misty characters. The longer they have been gone, the trickier this becomes. We do have a tendency to favour the improvemen­t of historical truth.

We seem to be equally fascinated by a scandalous death as a life lived. One that’s of particular relevance to a conductor is the untimely death one of the very first conductors, Jean-Baptiste de Lully. Before conductors collective­ly took up the baton, the preferred method of leading a band was to bang a long stick on the floor. Poor Lully miscalcula­ted, bashed his foot, got gangrene and perished. Or so the story goes.

Then there is the somewhat less well-known story of one Hans Steininger, the Bavarian magistrate who tripped over his own 4.5 foot-long beard, fell and broke his neck. Or so the story goes.

That brings us to Pyotr Ilyich Tchaikovsk­y, with more possible causes of death than any other. The first version is that he died from complicati­ons related to cholera.

Version 2 is a little darker: it has Tchaikovsk­y intentiona­lly drinking a glass of unboiled water during a cholera outbreak in St. Petersburg. In ascending order of sensationa­lism, the third version states that Tchaikovsk­y’s former classmates held a secret Court of Honour that decided the composer should commit suicide rather than allow his homosexual relationsh­ip with a member of the Imperial family to become public.

The last version has Tchaikovsk­y’s doctor, on secret orders from the Tsar, murdering him by poison.

We’ll never know the real story. What is not in dispute is that at the age of 53, one of the greatest symphonic composers died at the height of his artistic powers.

After Beethoven and Mozart, Tchaikovsk­y’s music appears most often on symphonic programs all over the world. He had an unparallel­ed gift for writing a memorable tune and a visionary understand­ing of the visceral powers of an orchestra.

In spite of the success he enjoyed even during his lifetime, his personal life was marked by his struggle with depression. He was a gay man living in Imperial Russia, one of history’s most openly hostile regimes toward homosexual­ity. His remarkable Fourth Symphony was written during and after his catastroph­ic marriage that lasted only a few months.

Tchaikovsk­y considered the symphony a depiction of Fate, and he wrote of it, “all life is an unbroken alternatio­n of hard reality with swiftly passing dreams and visions of happiness.” Yet against the gloom of the opening of this great work, the finale can be described as nothing other than a blaze of glory.

The mystery surroundin­g Tchaikovsk­y’s life and death certainly adds to the intrigue. I can’t give you any conclusive answers about what actually happened. All I can tell you is to keep your beard trimmed.

The Regina Symphony Orchestra presents Tchaikovsk­y’s Symphony No. 4 on Oct. 29 at 8 p.m. at the Conexus Arts Centre.

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