Regina Leader-Post

Accessibil­ity more than an afterthoug­ht

We must include everybody, write Craig and Marc Kielburger.

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Chris Pratt knew he’d made a mistake. The Guardians of the Galaxy star shared a video on social media, asking his followers to ignore the subtitles and turn up the volume.

He didn’t realize how insulting that was for the nearly 400 million people around the world who have hearing loss and rely on those subtitles — until some of them lambasted him on Twitter.

To his credit, Pratt immediatel­y apologized (using sign language) and thanked his fans for the learning opportunit­y. Then, he challenged Instagram to make its app more inclusive with automatic captioning for all videos.

“I wish we could bottle that learning moment, and share it a million times,” says Rich Donovan, CEO of The Return on Disability. The consulting firm helps companies prioritize inclusion to attract customers and employees, advancing innovative tactics on an issue that’s usually seen narrowly as ramps and braille.

Donovan wants to change that, calling this tacked-on type of accessibil­ity a “four letter word.”

“It’s the bare minimum, the very least we can do to meet basic accommodat­ions and legal mandates.”

While infrastruc­ture is important (and frustratin­gly absent in some cases), barriers can be more than just physical, and we’re seeing a new wave of designers and innovators expand the very meaning of accessibil­ity.

Deaf concert goers are enjoying music like never before as interprete­rs reinvent American Sign Language, using enhanced body movements to translate the sonic experience into visual art. People with visual impairment­s can touch museum artifacts and immerse themselves in verbal descriptio­ns as they pose like a sculpture or draw treasures.

And by pairing sighted patrons with visually impaired partners, specialty travel agencies create unique experience­s that alter perspectiv­es for both groups as they walk among the terracotta warriors in China and through the Parthenon in Greece.

Accessibil­ity is more than an afterthoug­ht.

When it’s a part of the process from the beginning, it leads to enhanced experience­s for everyone. It’s even a catalyst for innovation.

“(Google) used someone who is blind as their muse,” says Donovan. The result is a self-driving car. “If we design with accessibil­ity in mind, we create better products.”

Voice control, smartphone screens that adapt to changes in light, autocomple­te texts — these are all innovation­s inspired by questions of accessibil­ity.

A first step is proving there’s a demand. Products and services geared toward people with disabiliti­es make a strong business case for mainstream companies to follow suit. And if the market leads, accessibil­ity will follow.

“We’ve come a long way,” says Shelley Ann Morris, an Ottawa native who is visually impaired. Public buses that announce stops have made getting around the city much easier while descriptiv­e audio tracks at movie theatres help her enjoy Chris Pratt’s latest work. “These may start as niche, but eventually they’ll just be the way things are.”

One in seven Canadians is living with a disability, and as the population ages, that number will rise.

If we learn from these communitie­s and design with empathy for others’ abilities, we can expand the very idea of accessibil­ity and build a more inclusive society. Craig and Marc Kielburger are the co-founders of the WE movement, which includes WE Charity, ME to WE Social Enterprise and WE Day. For more dispatches from WE, check out WE Stories.

 ?? THE CANADIAN PRESS/FILES ?? Dawn Jani Birley, who is deaf, starred in the English-language and American Sign Language production of Prince Hamlet in Toronto this spring. One in seven Canadians lives with a disability.
THE CANADIAN PRESS/FILES Dawn Jani Birley, who is deaf, starred in the English-language and American Sign Language production of Prince Hamlet in Toronto this spring. One in seven Canadians lives with a disability.

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