Sleeping Beauties lacks page-turning intensity

Of all the gifts a father can give his son, near the top must be a co-written novel. After all, slapping the name Stephen

King on the cover pretty much guarantees a bestseller. But King fans who crack open Sleeping Beauties may be disappointed. The book lacks the page-turning intensity found in so many of his classics. Father and son started with an intriguing premise: What if men and women were separated into two different worlds? Would the men freak out? Would the women create a kinder, gentler society?

They’re existential questions that would seem to lend themselves to a 700-page book, but the novel’s answers to both don’t seem nuanced enough.

The plot is relatively simple. One day all the women in the world get wrapped up in cocoons as soon as they fall asleep. If anyone tries to wake them up, they turn into feral beasts and don’t hesitate to kill their loved ones. As they start to realize this, some women do whatever they can not to slumber, from super-black coffee to cocaine. Most of the men react in predictable ways, drinking, looting and arguing over whether to murder a mysterious woman who calls herself Evie and is the only female who can sleep and wake up.

I won’t spoil the rest. King fans who enjoy his blunt language and vivid gore will find lots to like. A bulldozer runs over a man and “shreds of skin flapped like streamers,” a woman cracks open a man’s jaw “like the sound of a drumstick being torn off a Thanksgiving turkey.”

In the end, though, the novel feels like it wanted to say something really meaningful about gender relations and settles instead for, “Can’t we all just get along?”