Regina Leader-Post

HISTORY THROUGH ART

Larissa Kitchemoni­a And Shayla MCNABB stand with the teepee liner they painted As part of the kêhtê-ayak Art installati­on on display At First Nations University. The Artworks interpret the history, traditions And languages of Indigenous Peoples.

- JENNIFER ACKERMAN jackerman@postmedia.com

An open window framed in white looks out onto a dark, barren winter landscape.

A rope dangles over the ledge and a set of small footprints can be seen in the snow leading away from the window, towards a glowing white moon.

“What could drive a person to jump out of a window in the middle of winter?” asked the man responsibl­e for the chilling scene, Adam Martin.

A local visual artist, Martin was tasked with using art to bring to life the history of residentia­l schools as part of an art installati­on at First Nations University of Canada that opened Thursday morning.

The installati­on, titled kêhtêayak, includes 14 teepees in a circle on the lawn of the university. Each teepee has been adorned with a painted liner, created by seven artists over the summer, and each tackles a different theme or story.

An artistic interpreta­tion of the history, traditions, languages and knowledge systems of Indigenous Canada’s Indigenous Peoples, the installati­on brings to life history from the very beginning of life to the present, addressing creation stories, first contact, missing and murdered Indigenous women and girls and more.

Martin said tackling the history of residentia­l schools was particular­ly heavy.

“The windows were sort of my way to express through the facts,” he said.

Martin painted four windows, all framed in white, but looking out onto four different scenes — summer, fall, winter and spring. All four look out onto the expansive, open free landscapes, representi­ng the land that was taken from Indigenous Peoples during colonizati­on.

A small wooden desk sits in the centre of the teepee. An image of a crucified Indigenous girl is on one section of the liner; the word ‘assimilati­on’ underneath a maple leaf fills another spot.

It is meant to mimic sitting inside a classroom. The room created by the teepee is white, sterile and structured, meant to represent the strict regimentat­ion of a residentia­l school, which worked toward “stripping the individual away.”

“You imagine an escape,” said Martin, as you stand and stare out the painted windows, putting yourself in the shoes of a student.

As you enter each teepee, you are transporte­d to a different space and time. Fourth-year bachelor of arts student and artist Larissa Kitchemoni­a collaborat­ed with fellow artist Shayla Mcnabb to bring the theme of creation to life in one of the teepees.

A turtle representi­ng Turtle Island sits in the centre of the piece. The tree of creation sits within it. From each side, life bursts from the tree in dramatic red and blue swooping lines, and from those lines, different animals emerge — like the raven, buffalo and otter.

“Every creation story has an animal figure or spirit that plays the key role in it,” said Kitchemoni­a.

“I think as artists we have a job where we are allowed to take informatio­n and put it visually, whatever that may be,” she said. “This teepee specifical­ly was really cool because creation is what we do (as artists). That’s an important story in itself.”

Surroundin­g the 14 teepees are several buffalo sculptures created by the First Nations University associate professor Lionel Peyachew, and are there to represent education.

Come the fall, the teepees will also have a lighting component, which represents how their traditions and stories still burn bright and will light the path forward.

Peyachew said the teepees also represent the fact that the culture and traditions of Indigenous peoples are still here, and he commended the students (former and current) for their dedication over the summer.

“I think it’s important to tell stories, because it’s a way to keep the knowledge alive,” he said.

The installati­on, which was created with the guidance of the kêhtê-ayak Elders Council and overseen by Peyachew and Regina-based artist Peter Brass, will be available for viewing until the first snowfall.

 ?? PHOTOS: BRANDON HARDER ?? A teepee liner painted by Benjamin Ironstand is part of the kêhtê-ayak art installati­on at First Nations University of Canada. The installati­on includes 14 teepees in a circle.
PHOTOS: BRANDON HARDER A teepee liner painted by Benjamin Ironstand is part of the kêhtê-ayak art installati­on at First Nations University of Canada. The installati­on includes 14 teepees in a circle.

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