Think inside the box (office)
Movie fans embracing Oscar hopefuls
LOS ANGELES From billion-dollar blockbuster Joker to one of Quentin Tarantino’s highest-grossing films, many of this year’s Oscar best picture nominees have drawn crowds to the box office.
It is the second straight year that Academy Awards voters have spotlighted widely seen movies, bucking a trend toward honouring independent films such as Moonlight and The Hurt Locker that played to smaller audiences in art house theatres.
Six of nine contenders for the film industry’s most coveted trophy have grossed more than $100 million worldwide, according to data from Box Office Mojo. (All figures in U.S. dollars.) Dark comedy Joker, from Warner Bros., leads the pack with $1.07 billion.
Next is the $389.3 million for Tarantino’s love letter to 1960s Tinseltown, Once Upon a Time ... in Hollywood, released by Sony’s film studio. That ranks as the second-biggest box office take of Tarantino’s career. And both First World War epic 1917 and 1960s racing drama Ford v Ferrari have crossed $200 million worldwide.
The sizable ticket sales show that moviegoers last year flocked to adult-oriented dramas and not just the action hero spectacles and sequels that dominate modern multiplexes, said Vulture film critic Alison Willmore.
“It’s been a heartening year in that way,” Willmore said. “It felt counter to the narrative that the only movies people really turn out to see in larger crowds are franchises.”
Past honours for smaller films had stoked concern that the Academy of Motion Picture Arts and Sciences was out of touch with movie audiences and that its choices where hurting TV ratings for the Oscars telecast. When 2016’s Moonlight was named best picture, it had sold just $22.3 million worth of tickets in North America.
Oscar organizers considered creating a best “popular” film category for the 2019 awards ceremony. They dropped the idea after a backlash that it would establish a two-tiered system of popular and what might have been seen as “unpopular” fare.
Popular films did, however, break into the best picture race last year. The field included Marvel’s superhero film Black Panther and rock biopic Bohemian Rhapsody.
This year’s nominees feature two movies from Netflix, Marriage Story and The Irishman. The company does not reveal how much money its films earn in theatres but has said that Mafia epic The Irishman is a hit on streaming.
Even the Korean-language film Parasite, a dark satire about inequality and best picture nominee this year, has lured audiences to movie houses. It has collected $163.3 million at ticket windows around the world.