Regina Leader-Post

NEW-FOUND OBSESSION

Fashion designers are in love with trenches, but they bear no resemblanc­e to the ones in your closet

- ROBIN GIVHAN

NEW YORK The classic trench coat is being ripped apart, chopped in half, blown up — and then put back together. Don’t try this at home.

During the recent Fashion Week, designer Jonathan Simkhai, who founded his self-named brand in 2010, showed a collection in which he cut away the backs of trench coats and inserted yards of flowing brightly patterned fabric, juxtaposin­g the angular tailoring of the jacket, which has its roots in menswear, with the fluidity of a dress.

At the Monse show, designers Fernando Garcia and Laura Kim used trenches in their exploratio­n of punk, splicing their hacked-up bits with swaths of nubby plaid and holding it all together with giant safety pins. It was a gentle form of subversive­ness — nothing too jarring. All of the shapes and ideas were recognizab­le; they were just conjoined in unique ways.

And a newcomer, Wei Ge, used the trench coat as a way of exploring gender traditions and blurring the lines that still separate them. The formal debut of his brand KEH, in a gallery space in Chelsea, showed his skilful execution of roomy tailoring, his quiet use of colour and a well-edited point of view. The graduate of Parsons had a theme that was clear and succinct: menswear with just enough sensuality and experiment­ation to excite the senses.

All this attention on the trench coat is not so much a trend as a new-found obsession. A trend would suggest that a look — or a technique — is brand new or at least that it has not been seen for a good long time. Japanese designer Chitose Abe has spent years separating basics into their various pieces and then splicing those elements back together with bits of contrastin­g fabrics stitched in. The trench coat is a favourite foil.

Designer Kunihiko Morinaga explored proportion­s of various classic garments — including blazers, crew neck sweaters and trench coats — in his spring 2020 collection for Anrealage. And most notably, Junya Watanabe dedicated his entire spring 2020 collection to the khaki-coloured coat. He turned it into skirts and dresses. Its various elements — the lapels, epaulettes, belt — were misplaced and reworked. And as filtered through Watanabe’s imaginatio­n, the trench coat became the equivalent of a singular melody that was transforme­d into an endless stream of remixes.

The classic coat’s history dates back to the First World War — and really even beyond that once you start parsing exactly what counts as a trench. It’s a reflection of tradition, technical ingenuity, patriotism and classism. Thomas Burberry is typically given credit for creating the modern version of the style thanks to his creation of gabardine, a fabric that was water repellent and that allowed the fabric to breathe so that wearers weren’t left roasting in their own sweat.

The style exists in countless iterations in a host of brands, but it’s also an irresistib­le point of experiment­ation. It’s a recognizab­le symbol of the Establishm­ent, a key element in the masculine vocabulary and a paean to practicali­ty. To reinvent it, is not just a bit of fashion slight-of-hand — it’s a stress test of cultural traditions. Designers can’t resist.

 ?? PHOTOS: JONAS GUSTAVSSON/MCV PHOTO/FOR THE WASHINGTON POST ?? Using a trench coat as a skirt, Junya Watanabe’s spring 2020 collection found ways to rework the closet staple into new pieces of interestin­g fashion.
PHOTOS: JONAS GUSTAVSSON/MCV PHOTO/FOR THE WASHINGTON POST Using a trench coat as a skirt, Junya Watanabe’s spring 2020 collection found ways to rework the closet staple into new pieces of interestin­g fashion.
 ??  ?? Jonathan Simkhai’s fall-winter 2020-21 collection integrates the structure of a trench with the whimsy of a spring dress.
Jonathan Simkhai’s fall-winter 2020-21 collection integrates the structure of a trench with the whimsy of a spring dress.

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