Screen star was teen heartthrob
Popular 1950s actor-singer lead double life as closeted gay man
Tab Hunter, the blond actor and singer who was a heartthrob for millions of teenage girls in the 1950s with such films as Battle Cry and Damn Yankees and received new attention decades later when he revealed he was gay, has died. He was 86.
Producer and longtime partner Allan Glaser said Hunter died Sunday of a blood clot in his leg that caused cardiac arrest. Glaser called the death “sudden and unexpected.”
Hunter was a star for several years. In addition to his hit movies, his recording of Young Love topped the Billboard pop chart in 1957.
But in his 2005 memoir, Tab Hunter Confidential: The Making of a Movie Star, Hunter recounted the stresses of being a love object to millions of young women when he was, in reality, a gay man.
“I believed, wholeheartedly — still do — that a person’s happiness depends on being true to themselves,” he wrote.
“The dilemma, of course, that was being true to myself — and I’m talking sexually now — was impossible in 1953.”
Born Arthur Andrew Kelm, his screen name, Tab (tab was slang for “name” at the time), was fabricated by Henry Willson, the same talent agent who came up with the names Rock Hudson and Rory Calhoun.
The legend goes that Willson said to the young man: “We’ve got to find something to tab you with. Do you have any hobbies?” His client answered, “I ride horses. Hunters.” Agent: “That’s it! We’ll call you Tab Hunter.”
With no dramatic training, Hunter was cast in a minor role in the 1950 drama The Lawless. The fuss over the young actor began two years later when he appeared barechested opposite Linda Darnell in the British-made Island of Desire. Soon his handsome face and muscular build appeared on magazine covers. Warner Bros., alert to the increasingly important youth market, signed him to a contract.
Hunter made a flurry of movies in the latter half of the 1950s, aimed at capitalizing on his popularity with young girls.
A highlight was the 1958 Damn Yankees, an adaptation of the hit Broadway musical with Gwen Verdon and Ray Walston in their Tony-winning New York roles and the original director, George Abbott, sharing direction with Stanley Donen.
As with so many pop idols, his fans grew up and a new generation sought other favourites. In the 1980s, he won new fans by appearing in cult movies with Divine, the 300-pound transvestite, notably the 1981 John Waters cult hit Polyester and Paul Bartel’s 1985 Lust in the Dust, co-produced by Hunter himself.
Of Polyester, Hunter wrote: “Everybody got the joke . ... For both John and me, our collaboration paid huge dividends: I’d helped ‘legitimize’ his brand of movie, and he made me ‘hip’ overnight.”
Hunter appeared on Broadway in 1964 in the Tennessee Williams play The Milk Train Doesn’t Stop Here Anymore opposite the formidable Tallulah Bankhead. The play closed within days and he said it was “completely buried under Tallulah’s offhanded trademark campiness.”
Hunter was born in 1931 in New York City, the second son of a mechanic and his German immigrant wife. His father left the family two years later and the boy took his mother’s name, Gelien. Young Arthur Gelien grew up in San Francisco and Long Beach, Calif., and joined the Coast Guard at 15 after lying about his age.
In his memoir, he said his career flourished despite some innuendo and smear articles in the scandal sheets — “clear evidence that despite its self-righteous claims, Confidential magazine did not influence the taste and opinions of mainstream America.”
Writing the book was difficult, he said in 2005, “because I’m a really private person. I grew up full of denial. I just didn’t like any suggestions or questioning of my sexuality.”
In 1960, Hunter’s boy-next-door reputation took a hit when he was charged with cruelty for allegedly beating his dog. (He was acquitted.) In recent years, Hunter appeared in dinner theatres and organized film projects. After living in New Mexico, he took a home in Montecito with Glaser.
He didn’t dwell on his Hollywood career nor regret losing it. “I had my fling, and I was very fortunate,” he said. “But that’s all in my past.”