Saskatoon StarPhoenix

MELDING OF THE ARTS

Dance show takes a fusion approach

- MATT OLSON maolson@postmedia.com

Dance, music, and visual art collide — or, perhaps more accurately, flow together — in the big fall performanc­e for one of Saskatoon’s top contempora­ry dance studios.

Free Flow Dance Theatre Company’s fall show, The Journey, takes place from Oct. 18 to 20 at The Refinery in Saskatoon and includes the input of Saskatoon and Saskatchew­an artists from across multiple discipline­s. Music by composers Cassandra Stinn and Cliff Burns, photos and visuals by Ken Greenhorn, and even poetry by one of the dancers will all feature in the concert.

Mitchell Larsen, one of the dancers in the show and the performer whose poetry is being used in the performanc­e, said he loves how they’ve been able to blend the different artistic mediums together for this show.

“We’ve had quite a long rehearsal process for the piece, which has really helped in that blending — in being able to listen to the parts and have them influence each other,” Larsen said.

Free Flow is something of a unique company in Saskatoon as one of the few that focuses almost exclusivel­y on contempora­ry dance. All dancers in the company are paid profession­als, and some of them — like Veronique Emmett — came to Saskatoon specifical­ly to work with the company.

“I’d heard about Free Flow from another dancer I went to school with ... I auditioned and came out here,” Emmett said. “It’s been a cool adventure to see this little company creating art, and something different in the city.”

The Journey consists of three separate performanc­es, the most substantia­l of which is “Moments of Tangency.” Featuring music written and performed by Cassandra Stinn and visuals by Ken Greenhorn, the approximat­ely 45-minute dance number is an exploratio­n of the four elements: earth, air, water and fire.

It’s a fairly substantia­l time to be involved in a performanc­e — but as Larsen puts it, the way the dance is broken up between the different elements and accented by visual projection­s helps keep it varied and intriguing for the audience.

“It’s something that’s close to me. It’s something I’m very passionate about,” Larsen said. “You kind of move in between these different influences ... it feels very new each time you move into another section.”

Tessa Kuz’s solo performanc­e of her piece called “Zone” and a dance accompanyi­ng new music by Cliff Burns called “Non Nobis Solum” fill out the rest of the performanc­e.

Emmett said one of the best parts of contempora­ry dance is that you can “create your own meaning” to some extent as an audience member. While there is intent and meaning in the performanc­e, it might end up connecting to people in unique ways.

“I think there’s a little bit of something for everyone, because you can take away what you need form this kind of art,” she said. “That’s pretty special.”

For Larsen, who grew up around Saskatchew­an, it’s a pretty impressive feat that so much Saskatchew­an artistry has gone into one performanc­e. But Larsen also said it’s not about where someone has come from — it’s how they can all work together now.

“I think it is kind of cool that we are creating these amazing things,” he said. “There’s something extremely visceral about dance and the way it engages you.”

It’s been quite a cool adventure to see this little company creating art, and something different in the city.

VERONIQUE EMMETT

 ??  ??
 ?? PHOTOS: MATT OLSON ?? Dancers with Free Flow Dance Theatre rehearse for their upcoming show The Journey, set to take place at The Refinery in Saskatoon from Oct. 18-20.
PHOTOS: MATT OLSON Dancers with Free Flow Dance Theatre rehearse for their upcoming show The Journey, set to take place at The Refinery in Saskatoon from Oct. 18-20.
 ??  ?? “We’ve had quite a long rehearsal process for the piece, which has really helped in that blending — in being able to listen to the parts and have them influence each other,” Mitchell Larsen says.
“We’ve had quite a long rehearsal process for the piece, which has really helped in that blending — in being able to listen to the parts and have them influence each other,” Mitchell Larsen says.

Newspapers in English

Newspapers from Canada