A LONG WAY FROM RACHEL
The Morning Show getting mixed reviews, but one thing is clear: Aniston is fantastic
There’s a scene in the third episode of The Morning Show on Apple TV+ that might make you almost forget you’re watching Jennifer Aniston.
She plays Alex Levy, a morning show host whose life is upended when her longtime co-host, Mitch Kessler (Steve Carell), is fired for sexual misconduct against some of their lesser-ranking colleagues.
Executives of the show’s parent network, UBA, encourage Alex to push forward as the show’s familiar face. The arrangement presents an uneasy dichotomy: Alex has more power than ever, but she’s taking the reins at the company’s whim.
She reaches a breaking point after discovering that the network had been trying to replace her before the explosive allegations surfaced and demands that her new contract grant her approval over Mitch’s replacement. When UBA balks, she makes a decision that ties the network’s hands: publicly naming Bradley Jackson (Reese Witherspoon), previously a field reporter for a conservative-leaning outlet, as her co-host at an awards gala filled with her industry peers.
A few scenes later, Alex — still in her glitzy attire — is in the UBA boardroom. The camera pans out as Alex listens to the network’s president (Tom Irwin) lambaste her “disrespect and insubordination” as he notes that the network has every right to fire her.
He tells her she’s embarrassed herself. Aniston takes a sip of water before slamming it down on the table. “Are you done?” she asks, her icy glare fixed on the camera. “The part you guys never seem to realize is that you don’t have the power anymore. The news division is held up by my show. And the only thing keeping us afloat is me. Because guess what? America loves me and therefore I own America.”
The network head asks if she’s trying to justify her decision to go rogue and name Bradley as her co-host. Alex slaps her hand on the table. “You’re not listening! I don’t need to justify anything. You all are so convinced that you are the rightful owner of all the power that it doesn’t even occur to you that someone else could be in the driver’s seat.
“So we have to just gingerly step around your male egos to not burst this precious little bubble,” she continues. “Well, surprise, I’m bursting it. We are doing this my way because, frankly, I’ve let you bozos handle this long enough.”
Reviews for the Apple TV+ drama have been mixed, with critics noting its grandiose and overwrought dialogue. But Aniston, 50, has been lauded for her performance. It’s exciting to see her as a woman (of, yes, a certain age) taking control of her career and legacy — particularly since Aniston, despite her vast filmography, is still widely associated with the well-coiffed 20-something she played on Friends.
The NBC sitcom holds a revered place in TV history, but Aniston’s CV proves she’s much more than the woman who played Rachel Green. Throughout her career, Aniston has earned Oscar buzz for roles that took similar detours from her most iconic character. She played a woman trapped in an unfulfilling marriage in 2002’s The Good Girl, which prompted the first rumblings about Aniston as a serious actress. She also earned praise (and a Golden Globe nod) for her performance in the 2014 film Cake, as a woman struggling with emotional trauma and chronic pain after a car accident.
Aniston has also contended with tabloids crafting their own narratives about her personal life. Her Morning Show role is electrifying, in part, because it’s not a stretch to imagine Aniston driven by constructive anger — in fact, it’s reminiscent of the essay she wrote for Huffpost three years ago in response to incessant speculation about whether she was pregnant. “For the record, I am not pregnant, what I am is fed up,” she said as she denounced intrusive coverage that furthered “this notion that women are somehow incomplete, unsuccessful, or unhappy if they’re not married with children.”
The Morning Show is Aniston at her most fiery: dropping F-bombs, demanding respect and, as Rep. Maxine Waters, D-calif., would say, reclaiming her time. After decades in an industry known for limiting opportunities for women, especially as they age, Aniston undoubtedly knows how it feels to be underestimated.
Washington Post